1st Edition

Shakespearean Temporalities
History on the Early Modern Stage





ISBN 9780367591878
Published August 14, 2020 by Routledge
236 Pages

USD $47.95

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Book Description

Shakespearean Temporalities addresses a critical neglect in Early Modern Performance and Shakespeare Studies, revising widely prevailing and long-standing assumptions about the performance and reception of history on the early modern stage. Demonstrating that theatre, at the turn of the seventeenth century, thrived on an intense fascination with perceived tensions between (medieval) past and (early modern) present, this volume uncovers a dimension of historical drama that has been largely neglected due to a strong focus on nationhood and a predilection for ‘topical’ readings. It moreover reassesses genre conventions by venturing beyond the threshold of the supposed "death of the history play," in 1603.



Closely analysing a broad range of Shakespeare’s historical drama, it explores the dramatic techniques that allow the theatre to perform historical distance. An experience of historical contingency through an immersion in a world ontologically related yet temporally removed is thus revealed as a major appeal of historical drama and a striking aspect of Shakespeare’s history plays. With a focus on performance, the experience of playgoers, and the dynamics that resulted from the collective production of dramatic historiography by competing companies, the book offers the first analysis of what can be referred to as Shakespeare’s dramaturgy of historical temporality.

Table of Contents

Chapter 1: Prologue



Chapter 2: The ‘Rivalling Collaboration’ of Dramatic Historiography – 1 Henry VI, Henry V, and The



Famous Victories



Chapter 3: Shifting Perspective, Performing Pastness – Richard II



Chapter 4: Religious Revisions of the Past – King John



Chapter 5: Genre, Geography, and History – Macbeth, a Jacobean History Play



Chapter 6: Epilogue

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Author(s)

Biography

Lukas Lammers is Assistant Professor of English Literature at Freie Universität Berlin. He has published articles on early modern culture and literature and is co-editor of Shakespeare Seminar.