1st Edition

Shakespeare’s Politic Histories The Italian Connection

By John H. Cameron Copyright 2024
248 Pages
by Routledge

248 Pages
by Routledge

248 Pages
by Routledge

This book posits that Shakespeare’s First Tetralogy draws inspiration from the Italian “politic histories” of the early modern period. These works of history, influenced by the Roman historian Tacitus, delve into the exploration of the machinations of power politics in governance and the shaping of historical events. The argument is that closely analysing these Italian “politic histories” can... Read more

Acknowledgements

Introduction

1 Shakespeare’s Politic Histories: The Italian Connection

Politic Histories, Politic Stratagems

The Prince: A Prolegomena

Gracing My Stratagems: Politic Drama

2 The First Tetralogy, Shakespeare’s Politic History

Things Not as They Ought to Be, but as They Truly Are

Might vs. Right

Trust and Distrust

The Fox and the Lion

With silence, be politic: Waiting for the Right Moment

Weakness and Cruelty

3 ‘Made I him king for this?’: Buckingham and the Choice of Ministers

Choosing the Right Minister, Choosing the Right Prince

Give us notice of his inclinations: The Use of Spies

Playing the Orator, Playing the Crowd

Stops he now for breath? The Limits of Politic Stratagems

4 Stanley, the True Machiavellian of Richard III

Stanley, the Quiet Machiavellian

What think’st thou, then, of Stanley? Hiding One’s Intentions

Look unto it: Failing to See Past the Surface

What says Lord Stanley? Choosing the Right Moment

5 ‘For few men right temper with the stars’: Fortuna and Virtù

Tempering with the stars

Fortune Favours the Bold: The Nature of Virtù

Fortuna vs. Virtù, or Fortuna and Virtù?

Conclusion ‘My kingdom for a horse!’: The Hollow Crown

My kingdom for a horse! The Hollow Crown

For one commanding all, obey’d by none: Some Closing Thoughts

Bibliography

Index

Biography

John H. Cameron teaches English Literature at Saint Mary’s University as well as German and Russian Literature at Dalhousie University. He is the editor of Narrative is the Essence of History and co-editor (with Goran Stanivukovic) of a special issue of Forum for Modern Language Studies that explores the development of comedy across different theatrical traditions (July 2022). He is the co-author (with Goran Stanivukovic) of Tragedies of the English Renaissance.