1st Edition
Shaw – “The Chucker Out” A Biographical Exposition and Critique
Foreword by Vera Brittain. Introduction by Allan Chappelow. Acknowledgements. Illustrations. Enter “The Chucker Out”! Bernard Shaw Takes the Floor, Replies to His Critics, and Explains Himself. Bernard Shaw’s Printed Postcards and Stock Letter Replies. On How to Become a Model Parent. On Education, Conduct and Life. On the Literature of the Theatre. On His Aims as Playwright. On Stage Morals and Censorship, Religion, Art, and Spiritual and Physical Love. On Love, Marriage, The Nature of Sex, and Sex Ethics. On Sexual Reform. On Socialism. On Christian Economics. On Democracy and Dictators: Communism, Socialism, Capitalism, and Fascism; Revolution, Sedition, Women in Politics; The British Labour Party; Trade Unionism and the Working Class; and the Equalisation of Incomes. On War and Peace. On His Proposed New English Alphabet. G.B.S. and the A.B.C. by Barbara Smoker. Bernard Shaw’s Wills. Mr Justice Harman’s Judgement in 1957, Holding Invalid the Alphabet Trusts in Shaw’s Will. Appendix. Index.
Biography
Allan Chappelow (1919–2006) was an M.A. and twice a Prizeman of Trinity College, Cambridge, a Fellow of the Royal Society of Arts, a Graduate Member of the British Psychological Society, and a member of the Royal Photographic Society. He had done post-graduate research at the London School of Economics and studied at the Slade School (specialising in sculpture), and was well-known in several countries for his photographic portraits of famous figures (of which those of Shaw were among the first).
From the Foreword Vera Brittain writes:
“…It must surely be the most thorough and detailed examination of Shaw’s political, moral, and social views yet made by any biographer … Mr Chappelow has ranged far and wide in what has obviously been most painstaking and conscientious research over a long period, and the fruits of it are extremely well integrated and presented. After spending several weeks on this book my image of Shaw – hitherto always baffling and enigmatical – has become greatly clarified.
I feel that Mr Chappelow’s analysis is eminently fair and objective, and of the utmost value as a contribution towards our understanding of this fascinating but also extraordinarily complex man of genius. I am certain that this is a book which no present or future student of Shaw and his time will be able to do without.”






