1st Edition

Silence in Middle Eastern and Western Thought The Radical Unspoken

By Jason Mohaghegh Copyright 2014
248 Pages
by Routledge

248 Pages
by Routledge

248 Pages
by Routledge

Presenting an engaging reflection on the work of prominent modern Iranian literary artists in exchange with contemporary Continental literary criticism and philosophy, this book tracks the idea of silence – through the prism of poetics, dreaming, movement, and the body – across the textual imaginations of both Western and Middle Eastern authors. Through this comparative nexus, it explores the... Read more
Part 1: Silence and the Outside  1. The Poetics of the Unspoken: Disaster, Exhaustion, and the Outside of Language (West) 2. Eternity’s Wager: The Wanderer, the Insurrectionary, and the Counter-Historical Moment (East) Part 2: Silence and the Dream  3. Scathing Imaginaries: Abandonment, Forgetting, and the Night-Dream (West) 4. The Aesthetics of the Unreal: Agitation, Sabotage, and the Fragment (East) Part 3: Silence and the Body  5. Disciplined and Innocent Bodies: Power, Masking, and the Visionary (West) 6. The Captive and the Exile: Vulnerability, Sensation, and Desire (East) Part 4: Silence and Experience  7. The Excessive and the Formless: Delirious Writing (West) 8. Paradox, Ecstasy, and the Catastrophic Mind: Apocalyptic Writing (East)

Biography

Jason Bahbak Mohaghegh is Assistant Professor of Comparative Literature at Babson College, USA. He is the author of The Chaotic Imagination: New literature and Philosophy of the Middle East (2010) and Inflictions: The Writing of Violence in the Middle East (2012).

‘Displaying an enviable intimacy with French thought on the one hand (Deleuze, Foucault, Blanchot) and twentieth-century Iranian poetics on the other, the author manages to do something quite extraordinary: from a non-Western perspective, he radically calls into question the time and place of the ‘postmodern’. If ever there is a book to make names of modern Persian literature such as Akhavan, Nima, Shamlu and Hedayat as familiar as Bataille and Guattari, it will be this one.’

Ian Almond, Georgia State University, USA

‘To call this work a tour de force is accurate but also unfaithful to the very tone and flesh of Mohaghegh's arguments, which resist facile syntheses and idle submission to the idol of difference. He instead begins and remains with silence and productively dwells in its Continental and Middle-Eastern trenches...Rebuking univocity, each silence defies a border. Committed with these thinkers to resisting the bordered self and imperial lines of demarcation, through a careful, learned, and unique reading of these texts, Mohaghegh assembles a paradoxical poetic unison not across borders but to cross out the very notion of borders.’

Farhang Erfani, American University, USA