Presenting an engaging reflection on the work of prominent modern Iranian literary artists in exchange with contemporary Continental literary criticism and philosophy, this book tracks the idea of silence – through the prism of poetics, dreaming, movement, and the body – across the textual imaginations of both Western and Middle Eastern authors. Through this comparative nexus, it explores the overriding relevance of silence in modern thought, relating the single concept of "the radical unspoken" to the multiple registers of critical theory and postcolonial writing.
In this book, the theoretical works of Georges Bataille, Maurice Blanchot, Gaston Bachelard, Antonin Artaud, and Gilles Deleuze are placed into a charged global dialogue with the literary-poetic writings of Sadeq Hedayat, Ahmad Shamlu, Nima Yushij, Esmail Kho’i, and Forugh Farrokhzad. It also examines a vast spectrum of thematic dimensions including disaster, exhaustion, eternity, wandering, insurrection, counter-history, abandonment, forgetting, masking, innocence, exile, vulnerability, desire, excess, secrecy, formlessness, ecstasy, delirium, and apocalypse.
Providing comparative criticism that traces some of the most compelling intersections and divergences between Western and Middle Eastern thought, this book is of interest to academics of modern Persian literature, postcolonial studies, Continental philosophy, and Middle Eastern studies.
‘Displaying an enviable intimacy with French thought on the one hand (Deleuze, Foucault, Blanchot) and twentieth-century Iranian poetics on the other, the author manages to do something quite extraordinary: from a non-Western perspective, he radically calls into question the time and place of the ‘postmodern’. If ever there is a book to make names of modern Persian literature such as Akhavan, Nima, Shamlu and Hedayat as familiar as Bataille and Guattari, it will be this one.’
Ian Almond, Georgia State University, USA
‘To call this work a tour de force is accurate but also unfaithful to the very tone and flesh of Mohaghegh's arguments, which resist facile syntheses and idle submission to the idol of difference. He instead begins and remains with silence and productively dwells in its Continental and Middle-Eastern trenches…Rebuking univocity, each silence defies a border. Committed with these thinkers to resisting the bordered self and imperial lines of demarcation, through a careful, learned, and unique reading of these texts, Mohaghegh assembles a paradoxical poetic unison not across borders but to cross out the very notion of borders.’
Farhang Erfani, American University, USA
Part 1: Silence and the Outside 1. The Poetics of the Unspoken: Disaster, Exhaustion, and the Outside of Language (West) 2. Eternity’s Wager: The Wanderer, the Insurrectionary, and the Counter-Historical Moment (East) Part 2: Silence and the Dream 3. Scathing Imaginaries: Abandonment, Forgetting, and the Night-Dream (West) 4. The Aesthetics of the Unreal: Agitation, Sabotage, and the Fragment (East) Part 3: Silence and the Body 5. Disciplined and Innocent Bodies: Power, Masking, and the Visionary (West) 6. The Captive and the Exile: Vulnerability, Sensation, and Desire (East) Part 4: Silence and Experience 7. The Excessive and the Formless: Delirious Writing (West) 8. Paradox, Ecstasy, and the Catastrophic Mind: Apocalyptic Writing (East)
This series is concerned with three kinds of intersections or conversations: first, across cultures and regions, an interaction that postcolonial studies have emphasized in their foregrounding of the multiple sites and multi-directional traffic involved in the making of the modern; second, across time, the conversation between a mutually constitutive past and present that occurs in different times and places; and third, between colonial and postcolonial histories, which as theoretical positions have very different perspectives on the first two ‘intersections’ and the questions of intellectual enquiry and expression implied in them. These three kinds of conversations are critical to the making of any present and any history. Thus the new series provides a forum for extending our understanding of core issues of Human society and its self-representation over the centuries.
While focusing on Asia, the series is open to studies of other parts of the world that are sensitive to cross-cultural, cross-chronological and cross-colonial perspectives. The series invites submissions for single-authored and edited books by young as well as established scholars that challenge the limits of inherited disciplinary, chronological and geographical boundaries, even when they focus on a single, well-recognized territory or period.