Despite the popularity of Skype with video many of us are still figuring out how to ‘do’ it. Interviews reveal that we can now run the programme but we are less certain about how to ‘perform’ in front of the webcam. Seeing ourselves in the box on the side can feel strange. We are not quite sure which bits of our bodies to display on the screen, how much to move around the room, or move the device around the room. Is it acceptable to use Skype with video at a funeral, in crowded spaces or while in bed? This book addresses how people are emotionally and affectually connecting with others audio-synchronously on the screen in a variety of different spatial contexts. Topics include Skype with video being used by grandparents to connect with grandchildren, friends and family using it for special occasions, and partners using it for romance and sex. Theories addressing bodies, gender, queerness, phenomenology and orientation inform the research. It concludes that while Skype does not offer some kind of utopian future, it does open up possibilities for existing power relations to be filtered through new lines of sight/site which are shaping what bodies can do and where.
List of illustrations
1 Why Skype, why now?
Feeling my way
Milestones for Skype
Where to from here?
2 Queer phenomenology: from writing tables to digital screens
3 Interviewing: face-to-face and on Skype
Feeling the interviews
Internet sources or ‘vulgar geographies’
4 Selves, others, objects and space
The self in the box
The difference gender makes
‘Theatres of composition’
5 Families, friends and loved ones
Across the generations
‘Sinking’ into the spaces of Skype
6 Skype for work: ‘A bit weird’
Meetings and collegial communications
7 Skype sex: ‘Queer effects’?
Real sex and contrived sex
8 Reorientating bodies and spaces
Lines of sight/site
Back to writing tables and digital screens