Sociology through the Projector takes issue with the question of how contemporary film can help answering the general, abstract but still urgent question: what is the social today? This book explains the performative relation to contemporary social theory in which cinema functions as a tool for social diagnosis.
There is much to be learned about social theory through an encounter with films as films are part and parcel of the society they portray. Increasingly more lay knowledge about social problems and facts stems from cinema as it offers to large audiences a popular and pedagogical introduction to social knowledge. Social theory cannot avoid a critical engagement with cinema as cinema interprets, invents, displaces and distorts the object of sociological inquiry.
This book will provide a deeper understanding of contemporary social theory as the chosen films will work as a pedagogical route into contemporary social theory. The films represent a mix of European and American blockbusters and more aesthetically orientated films.
The authors question several dominant topics and concerns within social theory and film studies. Firstly, by cross-examining a series of concepts such as identity, representation, memory and surveillance (filming social behaviour) which are of concern to both film theory and social theory. Secondly, by trying to develop imaginative approaches to standard social concerns such as exclusion, gender roles and inequalities, power, infantilisation and commodification of the social and psychological bonds.
This book will be a great resource for students and researchers of Sociology, Contemporary Social Theory, Film Studies and Cultural Studies.
"Diken (Lancaster U.) and Laustsen (Aarhus U., Denmark) examine social issues in contemporary film, and apply those observations in the context of personal identity, film theory and modern culture. Designed to appeal to students of both sociology and film, this book addresses such topics as social exclusion, gender roles, the abuse of power and psychological bonds in modern society. Films such as Fight Club, Life is Beautiful, City of God, Lord of the Flies and Brazil are discussed in depth." -- Book News Inc., August 2008
1. Introduction: Cinema and Social Theory 2. Hamam: Postal Economies of the Orient 3. Lord of the Flies: Sociology of Spite 4. City of God: Camping as Social (Non)Relation 5. Fight Club: Violence in Network Society 6. Brazil: From Error to Terror 7. Life is Beautiful: The Ghost of Auschwitz. Afterword: Aesthetics Against Postpolitics
The International Library of Sociology (ILS) is the most important series of books on sociology ever published. Founded in the 1940s by Karl Mannheim, the series became the forum for pioneering research and theory, marked by comparative approaches and the identification of new directions in sociology, publishing major figures in Anglo-American and European sociology, from Durkheim and Weber to Parsons and Gouldner, and from Ossowski and Klein to Jasanoff and Walby.
Its new editors, John Holmwood (University of Nottingham, UK) and Vineeta Sinha (National University of Singapore), plan to develop the series as a truly global project, reflecting new directions and contributions outside its traditional centres, and connecting with the original aim of the series to produce sociological knowledge that addresses pressing global social problems and supports democratic debate.