1st Edition
Sonic Rebellions Volume II War, Conflict and Remembering
Introduction: Editor’s Reflections
1. Community Radio (alHara) in Palestine
Minka de Regt and Wanda Canton
2. Torture Music in Contemporary Art
G Douglas Barrett
3. Violins as Historical Witnesses: The ‘Violins of Hope’ Collection at the Chimei Museum in Taiwan
Li-Ming Pan
4. Dubbing the Archive: Poetics in Diasporic British Memory
Am Ubhi
5. Essential Tremors: A Sonic Epistemology of the Chilean Coup
Jake Sokolov-Gonzalez
6. Sounds of memories and nostalgia: Listening to y/our mothers and grandmothers
Sumedha Bhattacharyya
7. Sounding Madness: An Autoethnographic Study of Psychosis
Wiliam Renel
8. Chants from the 2023 Paris Pension demonstrations: Collective identities, togetherness and empowerment.
Maël Hamey Jakubowicz
9. ‘Are you up for progress?’: Sunny Hill Festival in post-independence Kosovo
Marilena Gatsiou
10. Rap made in Greece: Mapping the landscapes of drill and trap
Natalia Aikaterini Koutsougera and Emmanouil Paraoulakis
11. Rage Has No Limits! Characteristics of Resistance in Turkish Rap Music
Irem Elbir
12. Batuko as a diasporic expressive practice. Music, gender and migration in the Cabo Verdean community
Mulleres á Fronte
Biography
Wanda Canton, Ph.D., is a lecturer at Newcastle University and founder of Sonic Rebellions. Her research centres on abolitionist politics with an interest in how sound/music is policed. She has written on the criminalisation of UK Drill, rap and decoloniality, and rap as therapeutic practice.
