1st Edition
Sound Design and Synthesis for Electronic and Modern Music Beyond the Drop
Part I: The Theory of Sound Design 1. Factory Sounds, Generic Results 2. The DNA of Sound 3. The Art of Dynamics 4. The Shape of Sound: Texture and Time 5. Developing a Sound Designer’s Ear 6. From Signal to Sentiment 7. Exploring Oscillators 8. Carving Tone: The Art of Filtering 9. Motion and Emotion: The Art of Modulation 10. Bending Time: Envelopes in Sound Design 11. Beautiful Damage 12. Painting with Harmonics 13. Signal Discipline 14. Warmth on Repeat: The Sonic Signature of Tape 15. Tube Tone in Modern Sound Design 16. Shaping Tone with Germanium 17. Shaping Sound with Transformers 18. Reverb as a Design Tool: Understanding the Parameters 19. Textures of Space: Exploring Reverb Types 20. Time as Texture 21. Understanding Modulation FX 22. The Art of Controlled Impact 23. Processing Paths: The Art of Effect Placement 24. From Glitch to Grit: Aliasing in Modern Sound Design 25. Recycling Sound: Sampling as Composition Part II: The Practice of Sound Design 26. From Silence to Signal 1: Analogue Subtractive 27. From Silence to Signal 2: Wavetable Synthesis 28. From Silence to Signal 3: Phase Distortion Synthesis 29. From Silence to Signal 4: Frequency Modulation Synthesis 30. Dialling into Identity 31. Beyond the Knobs: The Art of Shaping Tone 32. Composing Emotion Versus Shaping Texture 33. The Role of Touch 34. The Width of Emotion 35. Rethinking Oscillators 36. From Utility to Emotion: Rethinking Modulation 37. Layering for Frequency and Function 38. Design Aesthetics: Kicks 39. Design Aesthetics: Subs 40. Building Bass: Timbre, Texture and Energy 41. Designing Lead Timbres: Cutting Through the Mix 42. Design Aesthetics: Stabs 43. Design Aesthetics: Musical Anticipation 44. Spectral Architecture
Biography
Rick Snoman is a music producer, sound designer and Apple-approved mastering engineer, and the owner of Altar Studios. He has designed sounds for numerous synthesisers and sample libraries used by producers worldwide, and is the author of the award-winning Dance Music Manual, widely regarded as the definitive textbook on electronic music production. He delivered a keynote at NAMM in Los Angeles and, as co-chair of Electronic Dance Music for the Audio Engineering Society, has presented on EDM production and remixing in New York, Los Angeles and Dublin.






