1st Edition
Stagecraft Rewired AI, Authorship, and the Future of Performance
About the Authors
Acknowledgments
List of Figures
List of Tables
Preface
How to Use This Book
Part I — Thesis, Evidence, and Context
1. Introduction: The Stage at a Threshold
2. Eight Short Cases
3. Global Contrasts
Part II — Workflows Across the Production Lifecycle
4. Pre-Production
5. Rehearsal and Performance
6. Post-Production and Audiences
Part III — Skills, Pedagogy, and Career Preparation
7. Skills Map for Theatre Careers
8. Studios, Labs, and Portfolios
9. Course and Program Templates
Part IV — Law, Governance, and Ethics
10. Authorship, Ownership, and Copyright
11. Compliance in Practice
12. Ethics and Responsibility
Part V — A Longitudinal Production Case
13. From Greenlight to Strike
Part VI — Tooling, Infrastructure, and Implementation
14. Selecting and Running Tools
15. Adoption Guides for Schools and Companies
Part VII — Futures and Research Agenda
16. Near-Term Scenarios and Strategic Foresight
17. Open Questions and Next Steps
Appendix A. Studio Drills
Appendix B. Lab Modules and Instructor Notes
Index
Index
Biography
Michael Harding is an American academic and professor who works as the department head of Performing Arts and Lindenwood University in Saint Charles, USA.
James Hutson is currently a professor and department head of art history, AI, and visual culture at Lindenwood University in Saint Charles, USA.






