1st Edition

Stanislavsky and Gender

Edited By Mark Shields Copyright 2025
168 Pages
by Routledge

168 Pages
by Routledge

168 Pages
by Routledge

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. This book provides new insights through historical research, unpublished and newly translated materials, and contemporary perspectives from diverse scholars and practitioners. Readers will gain a nuanced understanding of... Read more

1. Stanislavsky and the First Female Directors of the Moscow Art Theatre

Maria Ignatieva

Post Chapter: Maria Ignatieva in Conversation with Rose Whyman

2. Acting Emotional Expression and Gender Identity in Stanislavsky’s Approach

Peta Tait

Post Chapter: Peta Tait in Conversation with Maria Ignatieva

3. Re-thinking Stanislavsky’s System as Feminist Practice with Lisa Peck and Bella Merlin

Lisa Peck and Bella Merlin

4. Disparities in the Stanislavsky Tradition: Imperceptible and Dispossessed

Samia La Virgne

Post Chapter: Samia La Virgne in Conversation with Maria Brígida De Miranda

5. Commingling Queerness and Stanislavsky: Developing and Practising a Slippery Pedagogy to Shift Perspectives on Actor Training

Barry Fitzgerald

Post Chapter: Barry Fitzgerald in Conversation with Ray Young

Epilogue: Stanislavski’s Dog by Spencer Wood

Biography

Mark Shields (They/Them) is a queer nonbinary Postgraduate Researcher in Actor Training Pedagogy at the School of Performance and Cultural Industries, University of Leeds, UK. Mark is also a graduate of the Royal Central School of Speech and Drama, with an MA in actor training and coaching (2016) and of the University of Leeds (2011). Mark has also trained in teaching the Uta Hagen technique with HB Studio, New York, and holds Fellowship of the Higher Education Academy.