1st Edition
Stanislavsky and Place Siting Performance Internationally
0. Preface to Stanislavsky and Place: Where Nature and Creativity Dialogue
Bella Merlin
1. Introduction to the Volume: Stand In Place / Stanislavsky and Place
David Shirley
2. Reflections on an Expanding Horizon: Stanislavsky And/As Place
Jonathan Pitches
3. Planes, Trains and Russian Cosmopolitism: Stanislavsky’s Spatial Imaginary
Jonathan W. Marshall
4. Krivina, Chekhov, Stanislavsky, and the Magic of Play
Bagryana Popov
5. The Place of Affect and Emotional Feeling in Theatre’s Political Climates of Environmental Degradation
Peta Tait
6. In Place & Process: Communion on Country
Luzita Fereday, Tom Heath and Simon Stewart
7. K’s Place: Super Self Storage 1904, Stanislavsky Avenue, Cardiff
Richard Gough
8. The Place of the Body and the Subject in Australian Contemporary Performance: The Stanislavsky and Place Plenary Panel
Maitland Schnaars, Kate Champion and Matt Edgerton with Commentary from Jonathan W. Marshall
9. Notions of Dis/Place in Performance: NIDA’s Multimedia Production of Kafka’s Metamorphosis (2021)
Benjamin Schostakowski
Biography
Jonathan W. Marshall has previously published on fin de siècle performance culture in Europe, particularly as regards the neurosciences and hysteria, as well as site-based performance, and is an expert on Japanese butoh dance.
David Shirley trained at London’s ArtsEd and is currently Executive Dean of the Western Australian Academy of Performing Arts, at Edith Cowan University, Australia. In addition to his professional profile as an actor and director, Shirley has published on Stanislavsky, Strasberg, Meisner, and others.
