1st Edition

State Propaganda in China’s Entertainment Industry

By Shenshen Cai Copyright 2016
154 Pages
by Routledge

154 Pages
by Routledge

154 Pages
by Routledge

Most current research on the evolution of China’s propaganda discourse only touches upon recent variations of official propaganda rhetoric grounded in popular media. Here, the research is extended by tapping into the most recently released popular cultural media narratives such as online documentaries, films, TV drama serials and education programs, all of which are enlisted and co-opted by the... Read more

Introduction 1. Nationalism, Nostalgia, and Romance: The Politics of the Chinese Moon Festival Gala 2. Founding of a Republic and Beginning of the Great Revival: Propaganda Infused Blockbusters in Present-day China 3. Contemporary Chinese TV Serials: Configuring the Collective Memory of Socialist Nostalgia via the Cultural Revolution 4. The Search for Modern China and The Pillar Standing in Midstream: Two Examples of the Nationalist Genre of Chinese Commercial Media 5. A Rising Star Professor: Yu Dan and Her Interpretation of Confucius 6. A Cultural Reading of Two Contemporary Chinese Revolutionary Spy-themed TV Drama Serials: Undercover and Decoding 7. Conclusion

Biography

Shenshen Cai is a Lecturer in Chinese Studies at the University of Melbourne, Australia. She has recently published articles in journals such as Social Semiotics (2015), Asian Studies Review (2016), and Asian Theatre Journal (2016).

"Cai does an excellent job describing how the CCP manipulates media culture inside China … Cai’s incisive study should whet a curious reader’s appetite for a broader exploration of the interplay between freedom and state control in China rapidly changing society."

Journalism and & Mass Communication Quarterly