368 Pages
by
Routledge
368 Pages
by
Routledge
368 Pages
by
Routledge
Also available as eBook on:
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less... Read more
Contents: Introduction; Part 1 Vernacular Church Music: 'If any of you be mery let him sing psalms': the culture of psalms in church and home; Middleburg psalms; John Playford and the metrical psalms; The old way of singing: its origins and development; The Anglican communion hymn; The origins of the fuging tune. Part 2 Artistic Church Music: Organs in English parish churches, 1660-1830; Organ music in parish churches, 1660-1730; Croft and the charity hymn; The hymn books of the Foundling and Magdalen Hospital chapels; The Lock Hospital chapel and its music; Jonathan Gray and church music in York, 1770-1840; Organ settings of English psalm tunes; Ancient and modern in the work of Sir John Stainer; Addenda and corrigenda; Index.
Biography
Nicholas Temperley is Professor Emeritus of Musicology at the University of Illinois at Urbana-Champaign, USA
’Read this book, even if you have to get it from the library and keep renewing it. It will inspire and inform you because there is so much to learn from it...’ West Gallery Newsletter ’... a model of scholarship that is at once focused and synoptic... it is good to have these essays [...] available between two covers. Written between 1972 and 2006, they demonstrate just how tenacious Temperley’s interest in English church music has been throughout his career. It has been a remarkable career, and any book that makes the scholarship more widely available is greatly to be welcomed.’ Notes 'For readers without ready access to an academic library this collection is particularly useful, given the breadth of publications from which the essays are drawn.' Journal of the British Institute of Organ Studies
