Style and Narrative in Translations: The Contribution of Futabatei Shimei, 1st Edition (Hardback) book cover

Style and Narrative in Translations

The Contribution of Futabatei Shimei, 1st Edition

By Hiroko Cockerill


282 pages

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Hardback: 9781900650915
pub: 2006-09-01
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pub: 2014-06-03
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Futabatei Shimei (1864-1909) is widely regarded as the founder of the modern Japanese novel. His novel Floating Clouds (1887-1889) was written in a colloquial narrative style that was unprecedented in Japanese literature, as was its negative hero. Futabatei was also a pioneer translator of Russian literature, translating works by Turgenev, Gogol, Tolstoy, Gorky and others - his translations had an enormous impact (perhaps even greater than his novels) on the development of Japanese literature.

In this groundbreaking work, Hiroko Cockerill analyses the development of Futabatei's translation style and the influence of his work as a translator on his own writing. She takes us on a journey through Russian and Japanese literature, throwing light on the development of Japanese literary language, particularly in its use of verb forms to convey notions of tense and aspect that were embedded in European languages.

Cockerill finds that Futabatei developed not one, but two distinctive styles, based on the influences of Turgenev and Gogol. While the influence of his translations from Turgenev was immediate and far-reaching, his more Gogolian translations are fascinating in their own right, and contemporary translators would do well to revisit them.

Table of Contents


System for Indicating Tense and Aspect of Verbs

Chapter 1: The Significance of The Tryst in Japanese Translation History

Chapter 2: The Development of Futabatei's Translation Style

Recognition of Aspect in the Japanese Language

Futabatei's Use of "-ta" Form Verbs

Futabatei's Translation of Past Imperfective and Past Perfective Verbs

Chapter 3: Exploring the First-Person Narrative

Katakoi [One-sided Love]

Yudaya-jin [The Jew]

Chapter 4: A Third-person Narrative: The Portrait

Chapter 5: Third-Person Narratives: Floating Weed and The Mismatch: The Restoration of "-ta" Expressing the Past Tense

Ukikusa [Floating Weed]

Kusare-en [The Mismatch]

Chapter 6: Futabatei's Translation Style and the Styles of Kōyō and Ryūrō

Chapter 7: Futabatei's Third Period of Translation Activity and In His Image

Tsutsu o makura [A Rifle for a Pillow]

Yokka-kan [Four Days]

Fusagi no mushi [The Depression Bug]

Mukashi no hito [Olden Day People]

Sono omokage [In His Image] (Futabatei's second original work)

Chapter 8: 1907: Futabatei's Final Year of Literary Activity

Ni kyōjin [Two Madmen]

Kyōjin nikki [A Madman's Diary]

Futabatei's Final Original Work Heibon [Mediocrity]

Natsume Sōseki's Kōfu [The Miner] and Shimazaki Tōson's Haru [Spring]

Conclusion: Re-evaluating Futabatei's Translations and their Significance for Contemporary Literature

Appendix : A List of Futabatei Shimei's Translations and Original Works

About the Author

Hiroko Cockerill began her career as a teacher of Japanese language and literature in Japan. She then spent five years studying Russian language and literature in Tokyo and Moscow, before immigrating to Australia, where she has lived for the past 17 years. She is currently a research adviser and teacher at the University of Queensland in Brisbane, Australia.

Subject Categories

BISAC Subject Codes/Headings:
LANGUAGE ARTS & DISCIPLINES / Linguistics / General