1st Edition
Style and Narrative in Translations The Contribution of Futabatei Shimei
Introduction
System for Indicating Tense and Aspect of Verbs
Chapter 1: The Significance of The Tryst in Japanese Translation History
Chapter 2: The Development of Futabatei's Translation Style
Recognition of Aspect in the Japanese Language
Futabatei's Use of "-ta" Form Verbs
Futabatei's Translation of Past Imperfective and Past Perfective Verbs
Chapter 3: Exploring the First-Person Narrative
Katakoi [One-sided Love]
Yudaya-jin [The Jew]
Chapter 4: A Third-person Narrative: The Portrait
Chapter 5: Third-Person Narratives: Floating Weed and The Mismatch: The Restoration of "-ta" Expressing the Past Tense
Ukikusa [Floating Weed]
Kusare-en [The Mismatch]
Chapter 6: Futabatei's Translation Style and the Styles of Kōyō and Ryūrō
Chapter 7: Futabatei's Third Period of Translation Activity and In His Image
Tsutsu o makura [A Rifle for a Pillow]
Yokka-kan [Four Days]
Fusagi no mushi [The Depression Bug]
Mukashi no hito [Olden Day People]
Sono omokage [In His Image] (Futabatei's second original work)
Chapter 8: 1907: Futabatei's Final Year of Literary Activity
Ni kyōjin [Two Madmen]
Kyōjin nikki [A Madman's Diary]
Futabatei's Final Original Work Heibon [Mediocrity]
Natsume Sōseki's Kōfu [The Miner] and Shimazaki Tōson's Haru [Spring]
Conclusion: Re-evaluating Futabatei's Translations and their Significance for Contemporary Literature
Appendix : A List of Futabatei Shimei's Translations and Original Works
Biography
Hiroko Cockerill began her career as a teacher of Japanese language and literature in Japan. She then spent five years studying Russian language and literature in Tokyo and Moscow, before immigrating to Australia, where she has lived for the past 17 years. She is currently a research adviser and teacher at the University of Queensland in Brisbane, Australia.
