1st Edition

Suffering and Sentiment in Romantic Military Art

By Philip Shaw Copyright 2013
260 Pages
by Routledge

260 Pages
by Routledge

In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. How suffering and sentiment were portrayed in a variety of visual and verbal media is Shaw's particular concern, as he examines a wide range of print and visual media, from paintings to sketches to political prose and anti-war... Read more
Contents: Introduction; Seeing through tears I; Seeing through tears II; ’Complicated woe’: British military art of the 1790s; All the news that’s fit to paint; Disgusting objects; images of wounding in the aftermath of war; Conclusion; Bibliography; Index.

Biography

Philip Shaw is Professor of Romantic Studies in the School of English at the University of Leicester, UK. His publications include Waterloo and the Romantic Imagination (2002) and, as editor, Romantic Wars: Studies in Culture and Conflict, 1793-1822 (2000).

’Beautifully written, lucid, and theoretically sophisticated, Philip Shaw's study of Romantic military art is a consistently illuminating account of an enormously significant but often overlooked subject’. Christopher Rovee, Stanford University, USA

'... beautifully written, theoretically deft and historically detailed study.' BARS Review

'Transatlantic Literary Exchanges focuses on gender, sexuality and race; categories of difference all too familiar in literary scholarship since the late twentieth century, but it strikes a successful balance between existing research and taking new perspectives on well-known terrain. Although the individual chapters deal with very different genres, subjects and cultural locations, each chapter stands on its own; the idea of intersecting various transatlantic crossings with such categories of difference ultimately provides coherence and productive, sometimes unexpected synergies.' BARS Review