1st Edition
Sverre Fehn and the City: Rethinking Architecture’s Urban Premises
Acknowledgments
Chapter 1 Fehn in the City: "What makes this all so alive"
On Urbanity
Turning to Fehn’s Urban Architecture
Organization of the Work and Its Themes
Chapter 2 Opened Ground
"Dance ‘Round Dead Things"
Of Urbanity and Exhumation
Revealing Trondheim
Fehn’s Urban Ground
Of Ground, Diegesis, and Urbanity
Chapter 3 Sverre Fehn’s Ambient Urbanity
Camera
Ex-Urban Urbanity
But Not Yet Greater Than the City
Chapter 4 Sverre Fehn, the City, and the Architecture of Participation
Strata, Structure, Street
Fractured geometris, an urban cut
Walking city
Building the non-building
The Room the City Gives
Scales of participation
Theatricality, architectural discord, and participation in the city
Violence for the City
Chapter 5 More Oslo
The Building as Constructed and as Designed
On Perimeter Definition, Ambiance, and Participation
On Fehn’s Cafés
The Nature of the Building’s Urbanity
Afterword
Appendix 1 "The Building Will Reflect the Drama of the City"
Sverre Fehn Interviewed by Peter Mose
Appendix 2 Lecture Transcript
Sverre Fehn at Cooper Union, March 1980
Index
Biography
Stephen M. Anderson is an associate professor in Architecture and Environmental Design in the Tyler School of Art and Architecture, Temple University, Philadelphia, where he teaches architectural theory and graduate design.
"What if a good urban solution doesn’t involve ‘fitting into existing conditions’ but adding a clear and articulate voice to barely audible communications about ways of living that could be less wasteful, more humane, and just? Read this forward-looking book to discover modern architecture’s positive contribution to the city and the cultures it embodies."
David Leatherbarrow, Emeritus Professor of Architecture, University of Pennsylvania
"This is a thesis that takes architectural scholarship and criticism to an entirely new level, in part because of the exceptionally sensitive talent and inventive energy of Sverre Fehn, and in part because of Anderson’s comparable sensitivity and profound erudition, influenced as it has been by the architectural phenomenologies of Dalibor Vesely and David Leatherbarrow. This is a truly important work."
Kenneth Frampton, Emeritus Professor of Architecture Columbia University
