Focusing on Algernon Charles Swinburne's poems on Apollo, Yisrael Levin calls for a re-examination of the poet's place in Victorian studies in light of his contributions to nineteenth-century intellectual history. Swinburne's Apollonian poetry, Levin argues, shows the poet's active participation in late-Victorian debates about the nature and function of faith in an age of changing religious attitudes. Levin traces the shifts that took place in Swinburne's conception of Apollo over a period of four decades, from Swinburne's attempt to define Apollo as an alternative to the Judeo-Christian deity to Swinburne's formation of a theological system revolving around Apollo and finally to the ways in which Swinburne's view of Apollo led to his agnostic view of spirituality. Even though Swinburne had lost his faith and rejected institutional religion by his early twenties, he retained a distinct interest in spiritual issues and paid careful attention to developments in religious thought. Levin persuasively shows that Swinburne was not simply a poet provocateur who enjoyed controversy but failed to provide valid cultural commentary, but was rather a profound thinker whose insights into nineteenth-century spirituality are expressed throughout his Apollonian poetry.
Table of Contents
Introduction: A Myth of One’s Own; Part I Apollonian Origins; Chapter 1 Apollo in the Nineteenth Century; Chapter 2 Sunrise: Apollonian Imagery in Swinburne’s Early Poetry; Chapter 3 Light of Nations: Solar Imagery in Swinburne’s Political Poetry; Part II Apollonian Myth; Chapter 4 The Desire for a New God and the Terror of Divine Revelation; Chapter 5 “On the Cliffs” and the Matrix of Apollonian Manifestations; Chapter 6 The Sun-God and the Perceiving Poet; Chapter 7 “A Nympholept” and the End of Mythopoeia; conclusion Conclusion: Holy Water;
Yisrael Levin, Visiting Assistant Professor, Hobart and William Smith Colleges, USA.