1st Edition

Synchronization and Title Sequences Audio-Visual Semiosis in Motion Graphics

By Michael Betancourt Copyright 2017
    156 Pages
    by Routledge

    154 Pages 35 B/W Illustrations
    by Routledge



    Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

    Introduction; 1: The Progressive Myth; 2: A Precarious Balance; 3: The Tilt in the States; 4: Federal Repercussions; 5: The Anomalous Counterweight; 6: Beveling the Congress; 7: The Deliberation to End All Deliberations; Epilogue

    Biography

    Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo .