1st Edition

Teaching AI in Film and Media Studies Lights, Camera, Algorithms

By Bridget Kies, Mel Stanfill Copyright 2026
180 Pages
by Routledge

180 Pages
by Routledge

180 Pages
by Routledge

A timely intervention into the role of AI in teaching film and media studies, this book offers insights into how scholars and educators can adapt their approaches in the face of emerging technologies. Exploring the intersection of generative AI with film and media studies, this book highlights the importance of addressing AI in the classroom. It advocates for teaching AI literacy as an... Read more

Acknowledgements

Introduction: Film, Media, and AI

Chapter 1 -- Seeing through the Machine: Media Literacy, AI Literacy

Chapter 2 -- From Algorithms to Attribution: Teaching AI and Copyright

Chapter 3 -- Save the Chat! Storytelling and Screenwriting in the Age of AI

Chapter 4 -- Frames of the Future: AI’s Influence on Production

Chapter 5 -- Repeating Itself: Histories and Hallucinations

Chapter 6 -- Reel Resistance: Labor and Industry Responses to AI

Chapter 7 -- The Ghost in the Machine: Audiences and Fans

Conclusion

Biography

Bridget Kies is an Associate Professor of Film Studies and Production and Faculty Fellow for AI and Teaching at Oakland University, where she conducts workshops on teaching about and with AI. Her work on AI and media studies, co-authored with Mel Stanfill, has been published in Teaching Media. She is the author of Murder, She Wrote (2025) and co-editor of Fandom, the Next Generation (2022). 

Mel Stanfill is an Associate Professor with a joint appointment in the Texts and Technology Program and the Department of English at the University of Central Florida. Key focuses of Stanfill’s work include the uses and abuses of platforms and cultural studies of the law. They have been published in venues like New Media & Society, Cultural Studies, and Television & New Media, and are the author of four books, including Rock This Way: Cultural Constructions of Musical Legitimacy (2023).