1st Edition

Temporal Experiments Seven Ways of Configuring Time in Art and Literature

Edited By Bruce Barnhart, Marit Grøtta Copyright 2023
172 Pages 10 B/W Illustrations
by Routledge

172 Pages 10 B/W Illustrations
by Routledge

172 Pages 10 B/W Illustrations
by Routledge

Temporal Experiments: Seven Ways of Configuring Time in Art and Literature conducts an expansive exploration of different modes of timing. Its seven chapters pursue the question of time as it is embodied in key figures that shape both aesthetic and pragmatic life. Working closely with literary, visual, and musical artworks, the book aims to provoke new ways of engaging with the question of... Read more

Introduction: Aesthetic Approaches to Time

Bruce Barnhart and Marit Grøtta

Part 1: Seven Temporal Experiments

1. Event, or How Foucault Used Baudelaire to Enlighten Kant

Christian Refsum

2. Habit, or the Matter of Time in Remainder

Aron Vinegar

3. Idleness, or How Raymond Queneau’s The Sunday of Life Explores Profane Time, in Playful Dialogue With Hegel and Kojève

Marit Grøtta

4. Kairos, or Figures of Instant Conversion in Crashaw’s Poem "To the Countess of Denbigh"

Tina Skouen

5. Rhythm, or How King Tubby Teaches Us to Love Nonbeing…

Bruce Barnhart

6. Ritual, or How Time is Suspended, Dislocated, and Defied in Anne Carson’s Poem "The Glass Essay"

Emma Helene Heggdal

7. Transit, or To Cross the Line: Figures of Transition in Early Modern Tombs

Per Sigurd Tveitevåg Styve

Part 2: Seven Temporal Keywords: Theoretical Briefs

Event

Christian Refsum

Habit

Aron Vinegar

Idleness

Marit Grøtta

Kairos

Tina Skouen

Rhythm

Bruce Barnhart

Ritual

Emma Heggdal

Transit

Per Sigurd Tveitevåg Styve

Biography

Bruce Barnhart is an associate professor of American literature and culture at the University of Oslo. He is the author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture (2013). His work has appeared in African American Review, Callaloo, and Novel. His latest publication is "LeRoi Jones, Jazz, and the Resonance of Class" (Bloomsbury Handbook of Popular Music, 2020). His research interests include African American literature, post-Marxist theory, jazz, and Caribbean aesthetics.

Marit Grøtta is professor of comparative literature at the University of Oslo. Her latest book is Baudelaire's Media Aesthetics: The Gaze of the Flâneur and 19th-Century Media (2015), and her latest essay "At the Door of the Theater: Kafka's Oklahama Theater and the Nature Theater Movement" (New German Critique 142, 2021). Her research interests are 19th-century and modernist literature, visual culture, photography, temporality, aesthetic theory, and critical theory.