Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art.
The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.
Part I. Theory: Aesthetics and aesthetical economy
1. Atmosphere as a fundamental concept of a new aesthetics
2. Atmosphere as an aesthetic concept
3. The art of the stage set as a paradigm for an aesthetics of atmospheres
4. Kant’s aesthetics: a new perspective
5. On beauty
6. On synaesthesiae
7. Contribution to the critique of the aesthetic economy
Part II. Aesthetics of nature and art
8. Aesthetic knowledge of nature
9. Nature in the age of its technical reproducibility
10. Body, nature and art
11. Nature as a subject
Part III. Architecture
12. The atmosphere of a CITY
13. Atmosphere as the subject matter of architecture
14. Staged materiality
15. Architecture: a visual art? On the relationship between modern architecture and photography
16. Metaphors in architecture–a metaphor?
Part IV. Light and sound
17. Acoustic atmospheres
18. Music and architecture
19. The great concert of the world
20. Seeing light
21. The phenomenology of light
Research on ambiances and atmospheres has grown significantly in recent years in a range of disciplines, including Francophone architecture and urban studies, German research related to philosophy and aesthetics, and a growing range of Anglophone research on affective atmospheres within human geography and sociology.
This series offers a forum for research that engages with questions around ambiances and atmospheres in exploring their significances in understanding social life. Each book in the series advances some combination of theoretical understandings, practical knowledges and methodological approaches. More specifically, a range of key questions which contributions to the series seek to address includes: