The Business of the Novel: Economics, Aesthetics and the Case of Middlemarch, 1st Edition (Paperback) book cover

The Business of the Novel

Economics, Aesthetics and the Case of Middlemarch, 1st Edition

By Simon R Frost

Routledge

256 pages

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Description

This study shows how aesthetics and economics have been combined in a great work of literature. Frost examines the history of Middlemarch’s composition and publication within the context of Victorian demand, then goes on to consider the interpretation, reception and consumption of the book.

About the Series

Literary Texts and the Popular Marketplace

In the past, the critics and writers who formulated the boundaries of the literary canon in British literature restricted its membership to ‘high culture’ and the ‘highbrow’. Writers whose work lies outside these selectively applied parameters of literary taste and value have been assigned to the derogatory category of ‘middlebrow’ or ‘popular’ literature. Some of these writers were rejected from the canon by their willing embrace of popular appeal, and their openness to a wide readership. Many texts were not included because they were written by women, addressed women’s concerns, or because they were concerned with middle- and working-class values and aspirations that were inimical to the literature of high culture. Other categories that have been disadvantaged by the institutional application of canonicity in British literary culture include regionality, the literature of impairment, political stance, and writers of colour.

This series offers monographs and edited collections of essays that examine the extents and effects of writing that resists the regulation of the canon. Crossing both cultural and geographic boundaries, this series brings together studies of texts, writers, readers, producers, and distributors. It will highlight current debates about the politics of mainstream readerships and media, about the designation of audiences and material methods of circulation, and will address contemporary critical concerns. By attending to how these texts resist the ‘high’ cultural imperative the works in this series make it possible to learn how culture is commodified for particular classes, and the role that gender and social class play in the production of those categories.

Manuscripts should be in the range of 80,000 to 100,000 words. Proposals should be eight to ten pages in length and should include a brief overview of the relevant scholarship in the field, the contribution which your work will make, a breakdown of the contents by chapter, an account of the number and type of illustrations, a brief survey of competing works, to whom the proposed book could be marketed, and the intended audience. Proposals should include a minimum of two sample chapters.

Please send all queries and proposals to the series editors, Kate Macdonald (k.macdonald@reading.ac.uk) and Ann Rea (anr12@pitt.edu), for preliminary review.

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Subject Categories

BISAC Subject Codes/Headings:
LIT007000
LITERARY CRITICISM / Books & Reading