The Challenge of Emulation in Art and Architecture: Between Imitation and Invention (Hardback) book cover

The Challenge of Emulation in Art and Architecture

Between Imitation and Invention

By David Mayernik

© 2013 – Routledge

296 pages

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About the Book

Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.

Reviews

' … Mayernik makes his argument for emulation in the most persuasive and instructive way possible - that is, by doing it. This luxuriously illustrated book, predominantly - and uniquely - featuring the author’s own pencil sketches, oil paintings, frescoes, photographs, designs, and even his built buildings, is an astonishing tour de force. The road map towards the recovery of architecture, after decades of decay, is presented in this ambitious book. The road may be at times meandering and hard to discern, but the book maps it out with unassailable erudition and convincing conviction. It is a book any serious student of the arts would be well advised to read, and all who practice art or architecture should be obliged to read. ' The Institute for Sacred Architecture 'Mayernik’s meditation on emulation and its important role in imitative and inventive practice, despite the degree of its subjectivity, provides a good overview of the subject, the historical stakes, and the experience of artists: in this case by an artist working in greater proximity to the period in question than those early modern artists contemplating their antique predecessors.' Renaissance Quarterly 'As a timely response to a hot topic today, David Mayernik’s new book deftly puts to rest the question in architecture and art of Imitation versus Invention� that currently vexes so many. This book, like a definition of tradition itself, is set squarely in the present, looks deeply into the past with rare illumination, and confidently guides us to a beautiful future.' Traditional Building Magazine

About the Author

David Mayernik is a practicing artist and architect, and an Associate Professor at the University of Notre Dame’s School of Architecture, USA.

About the Series

Ashgate Studies in Architecture

Ashgate Studies in Architecture
The discipline of Architecture is undergoing subtle transformation as design awareness permeates our visually dominated culture. Technological change, the search for sustainability and debates around the value of place and meaning of the architectural gesture are aspects which will affect the cities we inhabit. This series seeks to address such topics, both theoretically and in practice, through the publication of high quality original research, written and visual. Topics to be covered include the following: Architectural history and theory and their relationship to the development of the discipline, building conservation, heritage and creative adaptation. The formal and aesthetic values of architectural design, the diversity of its expression of identity, and its representation in other media. The impact of technological innovation on the materialisation of architecture and the questions surrounding environmental sustainability, experimentation and visionary design The social and psychological context of architectural production, its relationship to occupants, clients and to other creative and professional disciplines, and the political situation in which it is commissioned. Proposals will be welcomed which explore or connect aspects of these themes. Subjects which deal with individual architects, with specific buildings or building types, and the critical interpretation of historical and contemporary architecture from a theoretical or philosophical perspective are particularly encouraged. Architecture's embodiment of technical, social, and aesthetic aspects will also be emphasised.

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Subject Categories

BISAC Subject Codes/Headings:
ARC001000
ARCHITECTURE / Criticism
ARC005000
ARCHITECTURE / History / General