Introduction
Chris Dromey and Julia Haferkorn
I. Principles and Practices
1. Classical Music, Copyright, and Collecting Societies? Brian Inglis
2. "Growing a Forest": The Changing Business of Classical Music Publishing Sarah Osborn
3. Evolving Business Models in the Classical Record Industry Marius Carboni
4. Managing Artists in the Classical Sector: Definitions and Challenges Atholl Swainston-Harrison
5. On Classical Music Competitions Glen Kwok and Christopher Dromey
II. Identity and Diversity
6. Uncertain Capital: Class, Gender, and the "Imagined Futures" of Young Classical Musicians Anna Bull
7. Inequalities in the Classical Music Industry: The Role of Subjectivity in Constructions of the "Ideal" Classical Musician Christina Scharff
8. Lifespan Perspective Theory and (Classical) Musicians’ Careers Dawn Bennett and Sophie Hennekam
9. Reimagining Classical Music Performing Organisations for the Digital Age
Brian Kavanagh
III. Challenges and Debates
10. Is Classical Music a Living or Heritage Art Form? Susanna Eastburn
11. Dancing to Another Tune: Classical Music in Nightclubs and Other Non-traditional Settings Julia Haferkorn
12. Curating Classical Music: Towards a Synergetic Concert Dramaturgy Masa Spaan
13. Talking about Classical Music: Radio as Public Musicology Chris Dromey
Appendix 1
Keyword Survey of Verbal and Online Commentary, BBC Radio 3 and Classic FM, 1 March 2017.
Bibliography
Index
Biography
Christopher Dromey is Associate Professor in Music at Middlesex University, UK.
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Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.
