This volume analyses cultural perceptions of safety and security that have shaped modern European societies. The articles present a wide range of topics, from feelings of unsafety generated by early modern fake news to safety issues related to twentieth-century drug use in public space. The volume demonstrates how ‘safety’ is not just a social or biological condition to pursue but also a... Read more
This volume analyses cultural perceptions of safety and security that have shaped modern European societies. The articles present a wide range of topics, from feelings of unsafety generated by early modern fake news to safety issues related to twentieth-century drug use in public space. The volume demonstrates how ‘safety’ is not just a social or biological condition to pursue but also a historical and cultural construct. In philosophical terms, safety can be interpreted in different ways, referring to security, certainty or trust. What does feeling safe and thinking about a safe society mean to various groups of people over time? The articles in this volume are bound by their joint effort to take a constructionist approach to emotional expressions, artistic representations, literary narratives and political discourses of (un)safety and their impact on modern European society Read less
Introduction, Gemma Blok and Jan Oosterholt, Section 1: Philosophical conceptualisations of safety, Chapter 1: Eddo Evink - Security, Certainty, Trust. Historical and Contemporary Aspects of the Concept of Safety, Chapter 2: Ana Alicia Carmona Aliaga - Tolerance, a Safety Policy in Pierre Bayle's Thought, Chapter 3: Tom Giesbers - The Shackles of Freedom. The Modern Philosophical Notion of Public Safety, Section 2: Security cultures in history, Chapter 4: Beatrice de Graaf - The Invention of Collective Security after 1815, Chapter 5: Vincent Baptist - Criminal, Cosmopolitan, Commodified. How Rotterdam's Interwar Amusement Street the Schiedamsedijk Became a Safe Mirror Image of Itself, Chapter 6: Gemma Blok, Peter-Paul Bänzinger and Lisanne Walma - Tourists, Dealers or Addicts. Security Practices in Response to Open Drug Scenes in Amsterdam, Rotterdam and Zurich, 1960-2000, Section 3: Narratives and imaginaries of safety, Chapter 7: Nils Büttner - The 'Golden Age' Revisited. Images and Notions of Safety in Insecure Times, Chapter 8: Frederik Van Dam - Safety as Nostalgia. Infrastructural Breakdown in Stefan Zweig's Beware of Pity (1938), Chapter 9: Roos van Strien - Brace for Impact. Spatial Responses to Terror in the Cities Belfast and Oslo, Section 4: Narratives and imaginaries of unsafety, Chapter 10: Sigrid Ruby - Safe at Home? The Domestic Space in Early Modern Visual Culture, Chapter 11: Jan Oosterholt - The Transfer of Nineteenth-Century Representations of Unsafety. A Dutch Adaptation of Eugène Sue's Les Mystères de Paris, Chapter 12: Femke Kok - Feeling Lost in a Modernising World. A Critique on Martha Nussbaum's Emotion Theory through an Analysis of Feelings of Unsafety in Magda Szabó's Iza's Ballad.
Biography
Gemma Blok is a professor in the History of Mental Health and Culture at the Open University of the Netherlands. Her areas of expertise are the histories of psychiatry, addiction treatment, and drug use. She was a principal investigator in the HERA-funded project Governing the Narcotic City. Imaginaries, Practices and Discourses of Public Drug Cultures in European Cities from 1970 until Today. Jan Oosterholt is assistant professor at the Dutch Open University. He is specialised in nineteenth-century literature and has published books and articles on literary poetics, imagology and adaptations. His current research focuses on literary transfers and theatrical texts.
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