1st Edition

The Cyclic Mass Anglo-Continental Exchange in the Fifteenth Century

By James Cook Copyright 2019
162 Pages
by Routledge

162 Pages 78 B/W Illustrations
by Routledge

162 Pages 78 B/W Illustrations
by Routledge

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources.... Read more

1. The Mass cycle, insularity, and cultural exchange;  2. The rise of the Mass cycle;  3. Style and structure in the mature English Mass cycle;  4. Mass cycles between English and continental practice;  5. The Du cuer je souspier Mass;  Conclusions and new directions: the strange disappearance of English musuc

Biography

James Cook is Lecturer in Early Music at the University of Edinburgh, UK. He works mainly on early music and is especially interested in music of the fourteenth to sixteenth centuries. He is particularly interested in the ways in which musical cultures in this period interact and how expatriate groups (merchants, clergy, and nobility) imported and used music. He is also interested in the representation of early music on stage and screen, be that the use of ‘real’ early music in multimedia productions, the imaginative re-scoring of historical dramas, or even the popular medievalism of the fantasy genre.