1st Edition
The Final Rewrite How to View Your Screenplay with a Film Editor’s Eye
1. The Final Rewrite 2. Best Intentions and Excellent Fails 3. The Well of Coverage 4. The Scene and an Approach to Dailies 5. Another Approach 6. What Writers Know 7. What Editors Know 8. Tricks of the Editor’s Trade 9. The Essence of Time 10. The Filmic Moment 11. Aspects of Dialogue 12. Dialogue and Character Issues 13. When "Cut to" Isn’t Enough 14. Following the Line 15. Formula But Not Formulaic 16. The End is the Beginning 17. Hindsight is 20/20
Biography
John Rosenberg, ACE, MFA, is a film editor, writer and professor. He teaches the aesthetics of motion picture editing at USC’s School of Cinematic Arts, where he is also the Core Curriculum Coordinator for undergraduate production. He has also taught extensively throughout Asia. For over 30 years, Rosenberg has worked as a feature film editor, as well as a writer, producer, and production executive, for such companies as 20th Century Studios, New Line Cinema, Alpine Pictures, Orion Pictures, and Artisan. He is a member of American Cinema Editors (ACE).
Along with feature work, Rosenberg has written and edited a variety of reality-based TV projects, including for National Geographic. He is the author of the award-winning novel Tincture of Time, as well as the popular film book The Healthy Edit: Creative Editing Techniques for Perfecting Your Movie, currently in its second edition and recently translated into Mandarin.
"I have nothing but praise for John Rosenberg’s The Final Rewrite which presents an extraordinary view of the filmmaking process illustrating the key creative contributions of writers and editors. This book is a must for anyone teaching screenwriting or production in the importance ofcollaboration, and corrects the common belief that directors are the sole authors of their work."
Eric N.Young, Professor and Production Chair, Chapman University
