The Future of Museum and Gallery Design Purpose, Process, Perception

Introduction: The Future of Museum and Gallery Design Suzanne MacLeod, Tricia Austin, Jonathan Hale and Oscar Ho Hing-Kay

PART I: Purpose: social responsibility, cultural specificity and museum making

Introduction to Part I

1. An Ethical Future for Museum and Gallery Design: design as a force for good in a diverse cultural sector Suzanne MacLeod

2. Zen and The Art of Museum Maintenance Oscar Ho Hing-Kay

3. On the Importance of ‘And’: museums and complexity Elaine Heumann Gurian

4. The Designer’s Role in Museums that Act as Agents of Change Tricia Austin

5. Cities as Exhibition Spaces: illuminated infrastructure in the smart city Dave Colangelo

6. Representations of Chinese Civilisation: exhibiting Chinese Art in Republican China Pedith Chan

7. The Museum and Multivalences of Place Laura Hourston Hanks

8. A Site for Convergence and Exchange: designing the 21st century university art museum Timothy J. McNeil

PART II: Process: collaboration, experimentation, participation

Introduction to Part II

9. Examining Process in Museum Exhibitions: a case for experimentation and prototyping Kathleen McLean

10. Designing and Programming in ‘Baggy’ Space: a case study of the Oriel Wrecsam People’s Market project Sarah Featherstone and Jo Marsh

11. Collective Creativity in the Art Museum Mette Houlberg Rung

12. Placing Citizens at the Heart of Museum Development: Derby Silk Mill – Museum of Making Tony Butler, Hannah Fox and Suzanne MacLeod

13. New Approaches to Universal Design at the Gateway Arch National Park Bill Haley and Oriel Wilson

14. Experimental Exhibition Models: curating, designing and managing experiments. A case study from the Humboldt Lab Dahlem Annette Loeseke

15. From the ‘Field’ to the ‘Wilderness’: translation and creation in curating socially-engaged arts Sipei Lu

16. Unboxing History Exhibitions: experience design in museum practice Clare Brown

17. Untangling Exhibition Narratives: towards a bridging of design research and design practice Jona Piehl and David Francis

18. Beyond the Museum: a comparative study of narrative structures in films and museum design Tom Duncan

PART III: Perception: embodiment, experience and narrative

Introduction to Part III

19. Yaji Garden: art under the sky Tsong-Zung Chang and Shiming Gao

20. Screening Times: dioramas at the Shanghai Film Museum Linda Johnson

21. Displaying and Interpreting Industrial Pollution: a study of visitor comments on ‘When the South Wind Blows’
Hsu Huang and Chia-Li Chen

22. Spatial Meaning-Making: exhibition design and embodied experience Maja Gro Gundersen and Christina Back

23. The Fear of Popcorn: drawing inspiration from Hollywood for curating suspenseful exhibitions Ariane Karbe

24. The Yellow Box and Its Rhetoric of Display: exhibiting Chinese Art in a museum Vivian Ting

25. From Body to Body: architecture, movement and meaning in the museum Jonathan Hale and Christina Back

Afterword

Top 20 Principles for The Future of Museum and Gallery Design

Afterword Adrian Cheng

Biography

Suzanne MacLeod is Professor of Museum Studies at the University of Leicester, UK.

Tricia Austin is a design researcher and Course Leader at Central Saint Martins, University of the Arts, UK.

Jonathan Hale is Professor in the Department of Architecture and Built Environment at the University of Nottingham, UK.

Oscar Ho Hing-Kay is Associate Professor in the Department of Cultural and Religious Studies at the Chinese University of Hong Kong.

“With essays that strike a careful balance between theory and praxis, the volume examines museum purpose, social responsibility, collaboration, and visitor studies through its presentation of thoughtful case studies, processual writing, and powerful critique within an international context. The book is an essential primer for emerging professionals, scholars, and practitioners interested in museums, design, community, meaning making, and the place of museums in the global cultural landscape.”
Juilee Decker, Rochester Institute of Technology, USA

“Written by both practitioners and academic researchers from the US, Europe and East Asia, this book offers new insights into the contemporary international debate on multifaceted aspects of museum and gallery design. Its strength is hereby the conceptual division into three parts – Purpose, Process, Perception – which bridges a still existing division between the discussions on the physical design manifestation of museum spaces and our social experience of the exhibitions within them. This book will be invaluable for anybody interested in the future of museum design.” Florian Kossak, University of Sheffield, UK