1st Edition

The Galerie Espagnole and the Museo Nacional 1835–1853 Saving Spanish Art, or the Politics of Patrimony

By Alisa Luxenberg Copyright 2008
298 Pages
by Routledge

300 Pages
by Routledge

An important and critical re-evaluation of the Galerie Espagnole, this book presents new interpretations of the special collection of Spanish (or purportedly Spanish) paintings formed under Louis-Philippe and exhibited in the Louvre from 1838 through 1848. Alisa Luxenberg undertakes a new examination of the Parisian collection in relation to its lesser-known Spanish homologue, the Museo Nacional... Read more
Contents: The two museums from a trans-Pyrenean perspective; The Galerie Espagnole: content and critical reception in France; The protagonists and their priorities; Conception: precedents and provocations; Creation: the mission; Responses in Spain to Taylor's mission and the Galerie Espagnole; The Spanish galleries: the Museo Nacional and Museos Provinciales; Rethinking the visual legacy of the Galerie Espagnole; Closing thoughts; Bibliography; Index.

Biography

Alisa Luxenberg is Associate Professor of Art History at the University of Georgia, USA.

’..With its impressive archival research and uncluttered writing style, this book makes a significant contribution to scholarship in French and Spanish art history and museum studies. Highly recommended...’ Choice

’The most important aspect to this valuable corrective study is that for the first time, we learn about what the Spanish thought about it all. In a finely nuanced account, Luxenberg reveals how many in the Spanish artistic establishment were either ambivalent, or indeed multivalent towards the French. There are fascinating accounts of the equivocal roles played by Carderera, Madrazo and Villaamil, all of whom would become pillars of Isabelline Madrid.’ Journal of the History of Collections