1st Edition

The Gamin de Paris in Nineteenth-Century Visual Culture Delacroix, Hugo, and the French Social Imaginary

By Marilyn R. Brown Copyright 2017
192 Pages 24 Color & 37 B/W Illustrations
by Routledge

190 Pages 24 Color & 37 B/W Illustrations
by Routledge

166 Pages 24 Color & 37 B/W Illustrations
by Routledge

The revolutionary boy at the barricades was memorably envisioned in Eugène Delacroix’s painting Liberty Leading the People (1830) and Victor Hugo’s novel Les Misérables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual... Read more

Table of Contents

List of Illustrations
Acknowledgments

Introduction

Ch. 1 Revolutionary Ancestors of the Gamin de Paris

Ch. 2 Child of the People and Child of the Fatherland in Nineteenth-Century French Social History

Ch. 3 Child of the People and Child of the Fatherland in the French Social Imaginary

Ch. 4 The Gamin de Paris and the Revolution of 1830

Ch. 5 The Gamin de Paris in Panoramic Literature and in the Revolutions of 1848

Ch. 6 The Gamin de Paris, the Second Empire, and the Commune

Ch. 7 The Gamin de Paris during the Early Third Republic

Epilogue
Bibliography

Biography

Marilyn R. Brown is author of Degas and the Business of Art: A Cotton Office in New Orleans (CAA Monograph, 1994) and editor of, and contributor to, Picturing Children: Constructions of Childhood Between Rousseau and Freud (Ashgate, 2002; Routledge 2017). She is professor of art history at the University of Colorado.

"Brown’s meticulously researched illuminating study of the trajectory of the gamin across the nineteenth century makes a compelling case for the centrality of the gamin topos in French visual culture ... In her perceptive critical reading of individual images Brown offers a compelling demonstration of the challenges and rewards of examining visual culture in relation to political events and the vicissitudes of history."

--Nineteenth-Century Art Worldwide