1st Edition

The Historical Novel, Transnationalism, and the Postmodern Era Presenting the Past

By Susan Brantly Copyright 2017
200 Pages
by Routledge

200 Pages
by Routledge

200 Pages
by Routledge

This volume explores the genre of the historical novel and the variety of ways in which writers choose to represent the past. How does an author’s nationality or gender impact their artistic choices? To what extent can historical novels appeal to a transnational audience? This study demonstrates how histories can communicate across national borders, often by invoking or deconstructing the very... Read more

CONTENTS



Acknowledgements



Introduction



Chapter One: Historical Metaphors on the Postmodern Palette



Chapter Two: Nation Building and the Need for Authenticity: Per Anders Fogelström’s Stockholm Series



Chapter Three: Playing with Historical Conventions: P.C. Jersild’s Return of the Geniuses



Chapter Four: Imagining a Place in the Past: Gender and the Historical Novel



Chapter Five: History, National Identity, and Race: Ola Larsmo’s The Maroon Mountain



Chapter Six: The Enlightenment and Postcolonialism: Tournier’s Friday, Delblanc’s Speranza, and Unsworth’s Sacred Hunger



Chapter Seven: Defending the Enlightenment: P.O. Enquist’s Magnetist’s Fifth Winter and The Royal Physician’s Visit



Chapter Eight: Digging up the Past: The Case of Charles XII



Bibliography



Index



Biography

Susan Brantly is Professor of Scandinavian Studies at the University of Wisconsin-Madison, USA.