The Historical Novel, Transnationalism, and the Postmodern Era: Presenting the Past (Hardback) book cover

The Historical Novel, Transnationalism, and the Postmodern Era

Presenting the Past

By Susan Brantly

© 2017 – Routledge

190 pages

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pub: 2017-03-06
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Description

This volume explores the genre of the historical novel and the variety of ways in which writers choose to represent the past. How does an author’s nationality or gender impact their artistic choices? To what extent can historical novels appeal to a transnational audience? This study demonstrates how histories can communicate across national borders, often by invoking or deconstructing the very notion of nationhood. Furthermore, it traces how the concerns of the postmodern era, such as postmodern critiques of historiography, colonialism, identity, and the Enlightenment, have impacted the genre of the historical novel, and shows this impact has not been uniform throughout Western culture. Not all historical novels written during the postmodern era are postmodern. The historical novel as a genre occupies a problematic, yet significant space in Cold War literary currents, torn between claims of authenticity and the impossibility of accessing the past. Historical novels from England, America, Germany, and France are compared and contrasted with historical novels from Sweden, testing a variety of theoretical perspectives in the process. This pitting of a center against a periphery serves to highlight traits that historical novels from the West have in common, but also how they differ. The historical novel is not just a local, regional phenomenon, but has become, during the postmodern era, a transnational tool for exploring how we should think of nations and nationalism and what a society should, or should not, look like.

Table of Contents

CONTENTS

Acknowledgements

Introduction

Chapter One: Historical Metaphors on the Postmodern Palette

Chapter Two: Nation Building and the Need for Authenticity: Per Anders Fogelström’s Stockholm Series

Chapter Three: Playing with Historical Conventions: P.C. Jersild’s Return of the Geniuses

Chapter Four: Imagining a Place in the Past: Gender and the Historical Novel

Chapter Five: History, National Identity, and Race: Ola Larsmo’s The Maroon Mountain

Chapter Six: The Enlightenment and Postcolonialism: Tournier’s Friday, Delblanc’s Speranza, and Unsworth’s Sacred Hunger

Chapter Seven: Defending the Enlightenment: P.O. Enquist’s Magnetist’s Fifth Winter and The Royal Physician’s Visit

Chapter Eight: Digging up the Past: The Case of Charles XII

Bibliography

Index

About the Author

Susan Brantly is Professor of Scandinavian Studies at the University of Wisconsin-Madison, USA.

About the Series

Routledge Studies in Comparative Literature

This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Taking a comparative approach to literary studies, this series visits the relationship of literature and language alongside a variety of interdisciplinary and transnational topics. Titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
LIT000000
LITERARY CRITICISM / General
LIT004250
LITERARY CRITICISM / European / Scandinavian
LIT020000
LITERARY CRITICISM / Comparative Literature
LIT024060
LITERARY CRITICISM / Modern / 21st Century
LIT025010
LITERARY CRITICISM / Subjects & Themes / Historical Events