1. Introduction: Graphic Humans and Rights 2. Staging Vulnerability – I: Corporeality, Debodiment and Ruination 3. Staging Vulnerability – II: Dignity, Humiliation and Dehumanization 4. Cultural Trauma: Victims, Memory and Materials 5. Witnessing: Spaces, Response-ability and Testimony 6. Resilient Resistance: Subjects, Assembly and Protest Conclusion: The Face of Human Rights. Bibliography
Biography
Pramod K. Nayar teaches at the Department of English, University of Hyderabad, India. His most recent books include Indian Travel Writing in the Age of Empire, 1830–1940 (2020); Ecoprecarity: Vulnerable Lives in Culture and Literature (Routledge, 2019); Brand Postcolonial: ‘Third World’ Texts and the Global (2018); Bhopal’s Ecological Gothic: Disaster, Precarity and the Biopolitical Uncanny (2017); Human Rights and Literature: Writing Rights (2016); Citizenship and Identity in the Age of Surveillance (2015); Posthumanism (2013); Frantz Fanon (2013); the edited collections, Colonial Education and India, 1781–1945 (Routledge, 2019); Women in Colonial India: Historical Documents and Sources (Routledge, 2014); and Writing Wrongs: The Cultural Constructions of Human Rights in India (Routledge, 2012).
'Prolific polymath, Pramod K. Nayar has done it again! Deploying his trademark nimble and piercing humanistic analytic lens, he peels back and vitally reveals how graphic narratives forcefully wake us to the traumas of our planet’s most vulnerable. In an awe-inspiring sweep of comics from Africa and Asia as well as the Indian Subcontinent, Middle East, Balkans, and Indigenous Americas Nayar beautifully articulates powerfully generative concepts that enrich deeply our sense of how visual shaping devices like the panel function as more than windows to witness brutalities, humiliations, genocides. They wake us to new ways of perceiving, thinking, and feeling that deeply connect us with the most vulnerable. They wake us to action. Nayar does with Comics Studies what Judith Butler and Barbara Harlow have done for human rights and the humanities. A must-read tour de force!' — Frederick Luis Aldama, Distinguished University Professor, Ohio State University, and Eisner Award winner for the best scholarly work in Comics Studies
