1st Edition
The Illuminated Theatre Studies on the Suffering of Images
Contents
List of illustrations
Acknowledgements
Introduction
Rosemary Lee, Melt Down (2011); Sam Shepard and Field Day Theatre Company, A Particle of Dread (Oedipus Variations) (2013)
1 The Interpreters (On the Birth of Images)
Ernst Bloch, ‘Images of déjà vu’ (1924); Marie-José Mondzain, Homo Spectator (2007); Dickie Beau, LOST in TRANS (2013)
2 The Borders of the Marvellous (On Reconstruction and Returns)
Desperate Optimists, Helen (2009); Søren Kierkegaard, Repetition (1843)
3 Darkness and Doubles (On Theatrical Recognition)
Kinkaleri, Nerone (2006)
4 Is There Anybody There? (On the Crimes of Representation)
Bock & Vincenzi, The Invisible Dances (2004-2006); Simon Vincenzi, Operation Infinity (2008-2013)
5 Climates of Attention (On the Imaginary Theatre)
Alvis Hermanis, The Sound of Silence (New Riga Theatre, 2007); Fathers (Schauspielhaus Zurich, 2007); The Ice. Collective Reading of the Book with the Help of Imagination in Riga (New Riga Theatre, 2005)
6 Everybody Acts (On Friendship)
Edward Kienholz and Nancy Reddin Kienholz, The Art Show (1963-1977); Split Britches, Lost Lounge (2009); Forced Entertainment, The Thrill of it All (2010); Wendy Houstoun, Pact with Pointlessness (2014)
7 The Writing on the Wall (On Images and Acts)
Romeo Castellucci, Four Seasons Restaurant / Giudizio, Possibilità, Essere (2012-14); On the Concept of the Face Regarding the Son of God (2010); Orfeo ed Euridici / Orphée et Eurydice (2014); Gillian Rose, Mourning Becomes the Law (1996); T.J. Clark, The Sight of Death (2006)
Notes
Bibliography
Index
Biography
Joe Kelleher is Professor of Theatre and Performance at Roehampton University, UK. He is also Head of Department for Drama, Theatre and Performance. His previous publications include The Theatre of Societas Raffaello Sanzio (Routledge, 2007) and Contemporary Theatres in Europe: A critical companion (2006), co-edited with Nicholas Ridout.
