1st Edition

The Jews-Harp in Britain and Ireland

By Michael Wright Copyright 2015
240 Pages
by Routledge

240 Pages
by Routledge

240 Pages
by Routledge

The jews-harp is a distinctive musical instrument of international importance, yet it remains one of those musical instruments, like the ocarina, kazoo or even the art of whistling, that travels beneath the established musical radar. The story of the jews-harp is also part of our musical culture, though it has attracted relatively little academic study. Britain and Ireland played a significant... Read more
Contents: Preface. Part I Theories: Theorists; Origins; The name. Part II Commercial Exploitation: Imports and distribution; Makers; Exports. Part III Cultural Aspects: Art, architecture and mass-media; The jews-harp in Popular culture; Players. Conclusion; Appendix; Bibliography; Index.

Biography

Michael Wright is a leading performer, historian and enthusiast of the jews-harp in the United Kingdom. His research into the social history of the instrument is ensuring that the full scope of the jews-harp’s contribution to trade and entertainment is recorded. Often asked the question ’why is it called a jews-harp?’ and ’where does it come from?’ he began what has become a life-long quest to draw together the various fragments of information available. He has written articles for the Galpin Society Journal, the Folk Music Journal and the International Jews Harp Society Journal exploring various aspects of the instrument’s history. Parallel and complementary to his research has been the exploration of the possibilities of the jews-harp as a musical instrument. These two strands - musical possibilities and social history - continue to fascinate him.