1st Edition
The Language of Music Minority Languages in Popular Music
Chapter 1 - Bicultural Collisions: Treasuring languages of the land via glocalised contemporary music genres Gareth Schott
Chapter 2 - New Border Songs: Towards decolonial pluri-languaging and worldmaking through minority language contemporary music
Kit Ashton
Chapter 3 - Waiata Ā-Ringā: Māori punk and authentic self in te ao hou (the contemporary world)
Gareth Schott and Alroy J. M. Walker
Chapter 4 - Physical Place and Digital Space in the Context of Welsh-Language Music
Dan Mollenkamp
Chapter 5 - Irish Language Rap, Strategic Liminality and Multi-Accented Narratives of Identity
Aoileann Ní Éigeartaigh
Chapter 6 - "Fenian Cunts:" KNEECAP's Hip Hop reclamation and revitalisation of the Irish language
Verena Commins
Chapter 7 - "Afrikaans Music is Not Afrikaans" - Race, language and identity in Churchil Naudé's Kroesifaaid Schalk D. van der Merwe
Chapter 8 - Ancestral Andean Metal as a Decolonial Force in Colombian Society: Introducing Ynuk
Daniel J. Guarin
Chapter 9 - Nordic Notes: Cultural and linguistic world-building in Nordic Viking and folk metal
Georgette Nummelin
Chapter 10 - "So They'll Have to Learn our Language:" Resisting power dynamics through lyrics from the Bandung death metal scene
Luigi Monteanni
Chapter 11 - Signed Rap: "Speakerbox" by Signmark
Chae-Lin Kim
Biography
Gareth R. Schott is Professor in Media and Creative Technologies at the University of Waikato. His research portfolio is broad but includes several research publications that examine the impact of punk as a cultural movement. His creative research praxis includes the composition and performance of soundtrack and soundscape music to accompany film, installation and performance art.
