The Magic Cube of Ancient Chinese Poetry
A Linguistic Perspective
- Available for pre-order on June 2, 2023. Item will ship after June 23, 2023
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This book focuses on the linguistic perspective of classical Chinese poetry and its changes and development in different historical periods. It offers a combination of theoretical analysis and aesthetic appreciation of exemplary poems.
The author discusses the following aspects of classical Chinese poetry: the relationships between background and meaning in the interpretation of a poem; how readers can deal with the tangle of linguistic approach and intuitive perception in interpreting poems; the engagement and disengagement of the poet’s thought flow with and from the word order of the verse; the tonal and metrical schemes; the three special features of classical Chinese poetry: the significance and role of allusions, "Xu Zi", and "Shi Yan". Lastly, the author analyses the development of Chinese Poetry from the Vernacular Song Dynasty Style to the Vernacular Modern Style.
It will be a great read for students and scholars of East Asian Studies, Chinese Studies, Linguistics, and those interested in Chinese poetry in general. The book aims to lead readers to discover a fresh and amazing world of classical Chinese poetry, a fantastic panoramic picture of its beauty and charm, and a poetic feast that the reader may not otherwise be privileged to enjoy.
Table of Contents
1. Background and Meaning: A retrospect on the tradition of interpretation of poetry in ancient China 2. Linguistic Approach and Intuitive Perception: A tangle that ancient Chinese poetry critics had to unravel 3. Thought Flow and Word Order: Seeming disengagement of thinking from verse 4. Tonal and Metrical Schemes: A analysis of the patterns of ancient Chinese poetry 5. Allusion: One special aspect of ancient Chinese poetry 6. "Xu Zi" words or phrases: A second special aspect of ancient Chinese poetry 7. Shi Yan: A third special aspect of ancient Chinese poetry 8. Development of the Chinese Poetry from the Vernacular Song Dynasty Style to the Vernacular Modern Style
Ge Zhaoguang is Distinguished Professor of Fudan University, Shanghai, China. He received his B.A. and M.A. degrees from Peking University in 1982, 1984 respectively. He was Professor in the Department of History of Tsinghua University, Beijing from 1992 to 2006. He then served as the Director of National Institute for Advanced Humanistic Studies at Fudan University from 2007 to 2013. Professor Ge’s fields of research include intellectual, religious, and cultural history of East Asia and China. He was the first Princeton Global Scholar and winner of the Asia Pacific Award (2014, Japan), Paju Book Award (2014, South Korea) and Hong Kong Book Award (2015), etc.