The Making and Marketing of Tottel’s Miscellany, 1557: Songs and Sonnets in the Summer of the Martyrs’ Fires, 1st Edition (Hardback) book cover

The Making and Marketing of Tottel’s Miscellany, 1557

Songs and Sonnets in the Summer of the Martyrs’ Fires, 1st Edition

By J. Christopher Warner


264 pages

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Hardback: 9781409457459
pub: 2013-11-01
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First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.


'Warner's monograph presents a wealth of textual and contextual detail that will have to be further explored … [his] reconstruction of the contemporary English publishing context in poetry focuses extensively on formal matters and reveals the dazzling variety of poetic forms that Tottel presents.' Spenser Review 'One of the book's most significant contributions to the history of publishing in the Tudor period is its detailed comparative analysis of Tottel's Miscellany in relation both to the wider European book trade, in particular the production of Continental books of lyric verse and their dissemination in England, and to books of English verse coming off the London presses at this time.' SHARP News

About the Author

J. Christopher Warner is Professor of English at Le Moyne College in Syracuse, New York, USA.

About the Series

Catholic Christendom, 1300-1700

Catholic Christendom, 1300-1700
Catholic Christendom, 1300-1700 addresses all varieties of religious behaviour extending beyond traditional institutional and doctrinal church history. It is interdisciplinary, comparative and global, as well as non-confessional. It understands religion, primarily of the 'Catholic' variety, as a broadly human phenomenon, rather than as a privileged mode of access to superhuman realms. Catholic Christendom, 1300-1700 will appeal to academics and students interested in the history of late medieval and early modern western Christianity in global context. The series embraces any and all expressions of traditional religion, books in it will take many approaches, among them literary history, art history, and the history of science, and above all, interdisciplinary combinations of them.

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