1st Edition

The Matrilineal Heritage of Louisa May Alcott and Christina Rossetti



  • Available for pre-order. Item will ship after July 30, 2021
ISBN 9780367514402
July 30, 2021 Forthcoming by Routledge
248 Pages

USD $155.00

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Book Description

In an unprecedented comparison of two of the most important female authors of the nineteenth-century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott’s and Christina Rossetti’s visions of female creativity. In the early stages of the authors’ careers, their artistic developments were associated with their patrilineal connections to two artistic movements that shaped the course of American and British history: the Transcendentalists and Pre-Raphaelites. Flint uncovers the authors’ rejections of the individualistic outlooks of these movements, demonstrating that Alcott and Rossetti affiliated themselves with their mothers and sisters’ religious faith. Applying the methodological framework of women’s mysticism, Flint reveals that Alcott’s and Rossetti’s religious beliefs were shaped by the devotional practices and life-writing texts of their matrilineal communities. Here, the authors’ iconic portrayals of female artists are examined in light of the examples of their mothers and sisters for the first time. Flint recovers a number of unpublished life-writings, including commonplace albums and juvenile newspapers, introducing readers to early versions of the authors’ iconic works. These recovered texts indicate that Alcott and Rossetti portrayed the female artist as a mouthpiece for a wider community of women committed to social justice and divine communion. By drawing attention to the parallels in the authors’ familial affiliations and religious beliefs, Flint recuperates a tradition of nineteenth-century women’s mysticism that departs from the individualistic models of male literary traditions to locate female empowerment in gynocentric relationships dedicated to achieving a shared revelation of God. 

Table of Contents

Introduction

Chapter 1 — "I am even I" Rossetti and Alcott Resisting Male Authority

Section I — "Left-handed Societies" Women’s Life Writing

Chapter 2 — "Renunciation is the law, devotion to God’s will the gospel" The empowerment of others in the Alcott women’s life-writing

Chapter 3 — "For every human creature may claim to strength" The Rossetti women’s elevation of the left hand

Section II — "A Loving League of Sisters" Alcott and Rossetti’s promotion of Christian values through the ties of sisterhood

Chapter 4 — We are all relative creatures The transformative power of sisterhood in Rossetti’s Maude

Chapter 5 — "Happy Women" Alcott’s sisterly utopia

Conclusion

Coda — Nineteenth-century women’s matrilineal theologies of renunciation

List of Works Cited

Appendix 1 — "Rolf Walden Emmerboy" Transcription

Appendix 2 — "Two Scenes in a Family" Transcription

Appendix 3 — "Wealth" Transcription

Appendix 4 — "Our Madonna" Transcription

Appendix 5 — "Story of An Apple" Transcription

Appendix 6 — "Hymn For Ascension Day" Transcription

Appendix 7 — "Extracts From Bradley’s Sermons" Transcription

Appendix 8 — "A Morning Hymn" Transcription

Appendix 9 — "The Maid of Sorrow" Transcription

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Author(s)

Biography

Azelina Flint is a Teaching Fellow of American Literature and Creative Writing at Royal Holloway, University of London. She is a graduate of the University of East Anglia’s American Studies PhD program where she was awarded an AHRC ‘CHASE’ fellowship to support her research on Alcott and Rossetti. Azelina’s research on the Alcott family has been supported by the Fulbright Commission and she holds MA degrees in Victorian Studies and English Literature from Royal Holloway and Fitzwilliam College, Cambridge respectively. Flint has published articles on Alcott and Rossetti in Comparative American Studies and the Journal of Pre-Raphaelite Studies, while further research in American and Victorian Studies has appeared in a range of peer-reviewed publications.