1st Edition

The Matrilineal Heritage of Louisa May Alcott and Christina Rossetti

By Azelina Flint Copyright 2022
240 Pages
by Routledge

240 Pages
by Routledge

240 Pages
by Routledge

In an unprecedented comparison of two of the most important female authors of the nineteenth century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott’s and Christina Rossetti’s visions of female creativity. In the early stages of the authors’ careers, their artistic developments were associated with their patrilineal connections to two artistic... Read more

Introduction

Chapter 1 — "I am even I" Rossetti and Alcott Resisting Male Authority

Section I — "Left-handed Societies" Women’s Life Writing

Chapter 2 — "Renunciation is the law, devotion to God’s will the gospel" The empowerment of others in the Alcott women’s life-writing

Chapter 3 — "For every human creature may claim to strength" The Rossetti women’s elevation of the left hand

Section II — "A Loving League of Sisters" Alcott and Rossetti’s promotion of Christian values through the ties of sisterhood

Chapter 4 — We are all relative creatures The transformative power of sisterhood in Rossetti’s Maude

Chapter 5 — "Happy Women" Alcott’s sisterly utopia

Conclusion

Coda — Nineteenth-century women’s matrilineal theologies of renunciation

List of Works Cited

Appendix 1 — "Rolf Walden Emmerboy" Transcription

Appendix 2 — "Two Scenes in a Family" Transcription

Appendix 3 — "Wealth" Transcription

Appendix 4 — "Our Madonna" Transcription

Appendix 5 — "Story of An Apple" Transcription

Appendix 6 — "Hymn For Ascension Day" Transcription

Appendix 7 — "Extracts From Bradley’s Sermons" Transcription

Appendix 8 — "A Morning Hymn" Transcription

Appendix 9 — "The Maid of Sorrow" Transcription

Biography

Azelina Flint is a Teaching Fellow of American Literature and Creative Writing at Royal Holloway, University of London. She is a graduate of the University of East Anglia’s American Studies PhD program where she was awarded an AHRC ‘CHASE’ fellowship to support her research on Alcott and Rossetti. Azelina’s research on the Alcott family has been supported by the Fulbright Commission and she holds MA degrees in Victorian Studies and English Literature from Royal Holloway and Fitzwilliam College, Cambridge, respectively. Flint has published articles on Alcott and Rossetti in Comparative American Studies and the Journal of Pre-Raphaelite Studies, while further research in American and Victorian Studies has appeared in a range of peer-reviewed publications.