1st Edition
The Museum Accessibility Spectrum Re-imagining Access and Inclusion
List of figures
List of contributors
Section 1 – Introduction
Chapter 1: The museum accessibility spectrum: recognising the multidimensional access needs of all museum audiences
Alison F. Eardley and Vanessa E. Jones
Chapter 2: Unpicking ableism and disablism in museums: why access should be for all
Alison F. Eardley, Vanessa E. Jones, and Nevine Nizar Zakaria
Section 2 – Disability Gains
Chapter 3: Feeling our way: anti-ableist provocations for the future of inclusive design in museums
Dr William Renel, Jessica Thom, Solomon Szekir-Papasavva, and Dr Chloe Trainor
Chapter 4: Developing the gallery calm room: a journey of creating an accessible space for inclusion and well-being
Alicia Teng
Chapter 5: French 19th-century art Writing as audio description: the case of Edouard Manet
Hannah Thompson
Chapter 6: Seeing the deaf visitor: improving accessibility through a critical studies lens
Meredith Peruzzi
Chapter 7: Blundering into sensorial conversation
Fayen Ke-Xiao d’Evie
Section 3: Social and Cultural Inclusion
Chapter 8: Social and cultural barriers to inclusion: class and race at the Bethnal Green Museum of Childhood
Charlotte Slark
Chapter 9: Going through the portal: permeable walls and immersive community engagements rooted in disability justice
Dr. Syrus Marcus Ware
Chapter 10: What is a museum? Reframing the power dynamic between museums and audiences
Amparo Leyman Pino
Chapter 11: Stepping Aside: A reflection on how Museums can transfer power to communities, open up collections, and increase access through the creation of memory boxes
Katie Cassels and Charlotte Paddock
Chapter 12: The sacred cave of Kamukuwaká: enabling digital futures for Indigenous cultural heritage in the Amazonian Xingu
Thiago Jesus
Section 4: Agents of social change
Chapter 13: No laughing matter? Reimagining the statuette of a ‘comic’ actor with dwarfism at the British Museum
Isabelle Lawrence
Chapter 14: Curating for Change: how can D/deaf, disabled, and neurodivergent curators drive change in museums in terms of cultural representation and inclusive interpretation?
Esther Fox
Chapter 15: Inclusive design and accessibility: A methodology of perpetual evolution and Innovation
Corey Timpson
Chapter 16: Cultural inclusion in times of crisis: old and new traumas
Evgeniya Kiseleva-Afflerbach
Chapter 17: Museums for equality: combating prejudice, promoting human rights and practices of social inclusion in Egypt’s museums
Nevine Nizar Zakaria
Chapter 18: Social inclusion, cultural participation, and public ruptures at Iziko South African National Gallery: a look at Our Lady and Art of Disruption exhibitions.
Bongani Ndhlovu and Rooksana Omar
Section 5: Museum futures
Instigators of change: museums as inclusive, accessible, equitable, participatory hubs
Alison F. Eardley and Vanessa E. Jones
Acknowledgements
Index
Biography
Alison F. Eardley is an interdisciplinary researcher, trained in cognitive psychology (and employed in the School of Social Sciences at the University of Westminster, London, UK). Building on her previous work on imagery, imagination, and spatial processing in congenitally totally blind people and the sighted, her work is now focused on access, inclusion, interpretation, and evaluation within the museum sector.
Vanessa E. Jones is the Access Programs Manager at the Smithsonian National Portrait Gallery, where she has championed accessibility initiatives since 2015. With degrees in art history and museum education, she develops and implements programs that enhance the museum experience for all visitors, particularly those with disabilities. Her expertise in access and inclusion has shaped institutional practices across the museum.
'This book calls for a radical re-thinking of access programs at museums and other cultural sites. The editors argue that when access is understood merely as something the institution bestows on marginalized groups, without the active participation and collaboration of those communities, it risks preserving protocols of privilege and power. Here, a diverse collection of international authors, educators, artists, and activists describe specific projects and techniques that could be implemented in different contexts. This paradigm-shifting achievement is essential reading for anyone in the museum sector as well as anyone inspired by the potential for museums to enact meaningful social change'.
~ Georgina Kleege, author of More Than Meets the Eye: What Blindness Brings to Art
'Ensuring inclusion in education, sciences, and culture – including museums – is crucial and reaffirms our commitment to upholding human rights for everyone, as emphasized in the Universal Declaration of Human Rights. While progress has been made in many museums in terms of "Inclusion," "Accessibility," and "Diversity," many others around the world are still in the process of fully embracing their social responsibilities and expanding their role beyond basic accessibility. This book offers valuable insights for practitioners, scholars, and policymakers on transforming museum practices to enhance accessibility and foster inclusion. Its release is particularly timely, coming after the World Conference on Cultural Policies and Sustainable Development (MONDIACULT 2022), which highlighted culture’s vital role in sustainable development and social cohesion, and as we approach the decade anniversary of UNESCO’s 2015 Recommendation concerning the Protection and Promotion of Museums and Collections, their Diversity and their Role in Society'.
~ Dr Khaled El-Enany, Professor of Egyptology and Former Minister of Tourism and Antiquities, Egypt






