1st Edition

The Museum Accessibility Spectrum Re-imagining Access and Inclusion

Edited By Alison F. Eardley, Vanessa E. Jones Copyright 2025
312 Pages 25 B/W Illustrations
by Routledge

312 Pages 25 B/W Illustrations
by Routledge

The Museum Accessibility Spectrum engages with discussions around access to museums and argues that what is impairing the progress of museums towards inclusion is the current ableist model of access. Drawing on contributors from international museum researchers, practitioners, artists, and activists, this volume challenges the notion of the core ‘able’ museum visitor and instead proposes all... Read more

List of figures

List of contributors

 

 

Section 1 – Introduction

 

Chapter 1: The museum accessibility spectrum: recognising the multidimensional access needs of all museum audiences
Alison F. Eardley and Vanessa E. Jones


Chapter 2: Unpicking ableism and disablism in museums: why access should be for all

Alison F. Eardley, Vanessa E. Jones, and Nevine Nizar Zakaria

Section 2 – Disability Gains

Chapter 3: Feeling our way: anti-ableist provocations for the future of inclusive design in museums
Dr William Renel, Jessica Thom, Solomon Szekir-Papasavva, and Dr Chloe Trainor

Chapter 4: Developing the gallery calm room: a journey of creating an accessible space for inclusion and well-being

Alicia Teng

 

Chapter 5: French 19th-century art Writing as audio description: the case of Edouard Manet

Hannah Thompson

Chapter 6: Seeing the deaf visitor: improving accessibility through a critical studies lens

Meredith Peruzzi


Chapter 7: Blundering into sensorial conversation

Fayen Ke-Xiao d’Evie

Section 3: Social and Cultural Inclusion

Chapter 8: Social and cultural barriers to inclusion: class and race at the Bethnal Green Museum of Childhood
Charlotte Slark

 

Chapter 9: Going through the portal: permeable walls and immersive community engagements rooted in disability justice
Dr. Syrus Marcus Ware

Chapter 10: What is a museum? Reframing the power dynamic between museums and audiences
Amparo Leyman Pino

Chapter 11: Stepping Aside: A reflection on how Museums can transfer power to communities, open up collections, and increase access through the creation of memory boxes

Katie Cassels and Charlotte Paddock

Chapter 12: The sacred cave of Kamukuwaká: enabling digital futures for Indigenous cultural heritage in the Amazonian Xingu

Thiago Jesus

Section 4: Agents of social change

Chapter 13: No laughing matter? Reimagining the statuette of a ‘comic’ actor with dwarfism at the British Museum
Isabelle Lawrence

Chapter 14: Curating for Change: how can D/deaf, disabled, and neurodivergent curators drive change in museums in terms of cultural representation and inclusive interpretation?

Esther Fox

Chapter 15: Inclusive design and accessibility: A methodology of perpetual evolution and Innovation

Corey Timpson


Chapter 16: Cultural inclusion in times of crisis: old and new traumas

Evgeniya Kiseleva-Afflerbach

 

Chapter 17: Museums for equality: combating prejudice, promoting human rights and practices of social inclusion in Egypt’s museums

Nevine Nizar Zakaria

Chapter 18: Social inclusion, cultural participation, and public ruptures at Iziko South African National Gallery: a look at Our Lady and Art of Disruption exhibitions.

Bongani Ndhlovu and Rooksana Omar

Section 5: Museum futures

Instigators of change: museums as inclusive, accessible, equitable, participatory hubs
Alison F. Eardley and Vanessa E. Jones

Acknowledgements

 

Index

Biography

Alison F. Eardley is an interdisciplinary researcher, trained in cognitive psychology (and employed in the School of Social Sciences at the University of Westminster, London, UK). Building on her previous work on imagery, imagination, and spatial processing in congenitally totally blind people and the sighted, her work is now focused on access, inclusion, interpretation, and evaluation within the museum sector.

Vanessa E. Jones is the Access Programs Manager at the Smithsonian National Portrait Gallery, where she has championed accessibility initiatives since 2015. With degrees in art history and museum education, she develops and implements programs that enhance the museum experience for all visitors, particularly those with disabilities. Her expertise in access and inclusion has shaped institutional practices across the museum.

'This book calls for a radical re-thinking of access programs at museums and other cultural sites. The editors argue that when access is understood merely as something the institution bestows on marginalized groups, without the active participation and collaboration of those communities, it risks preserving protocols of privilege and power. Here, a diverse collection of  international authors, educators, artists, and activists describe specific projects and techniques that could be implemented in different contexts. This paradigm-shifting achievement is essential reading for anyone in the museum sector as well as anyone inspired by the potential for museums to enact meaningful social change'.

~ Georgina Kleege, author of More Than Meets the Eye: What Blindness Brings to Art 

 

 

'Ensuring inclusion in education, sciences, and culture – including museums – is crucial and reaffirms our commitment to upholding human rights for everyone, as emphasized in the Universal Declaration of Human Rights. While progress has been made in many museums in terms of "Inclusion," "Accessibility," and "Diversity," many others around the world are still in the process of fully embracing their social responsibilities and expanding their role beyond basic accessibility. This book offers valuable insights for practitioners, scholars, and policymakers on transforming museum practices to enhance accessibility and foster inclusion. Its release is particularly timely, coming after the World Conference on Cultural Policies and Sustainable Development (MONDIACULT 2022), which highlighted culture’s vital role in sustainable development and social cohesion, and as we approach the decade anniversary of UNESCO’s 2015 Recommendation concerning the Protection and Promotion of Museums and Collections, their Diversity and their Role in Society'.

~ Dr Khaled El-Enany, Professor of Egyptology and Former Minister of Tourism and Antiquities, Egypt