1st Edition
The Music of Pavel Haas Analytical and Hermeneutical Studies
Introduction
1: Music and Avant-Garde Discourse in Inter-War Czechoslovakia
2: From the Monkey Mountains: The Body, the Grotesque, and Carnival
3: Suite for Piano, Op. 13 (1935): Neoclassical Tendencies
4: Rhythmic Layers and Musical Form: Janácekian Elements in Haas’s Compositional Practice
5: Haas’s Charlatan: A Tragi-Comedy about Old Comedians, Modern Individualists, and Uncanny Doubles
6: Four Songs on Chinese Poetry: Grief, Melancholy, Uncanny Reflections, and Vicious Circles in Songs from Terezín
Conclusion
Bibliography
General Bibliography
Newspaper Reviews and Articles
Archival Documents (Pavel Haas)
Musical Editions
Biography
Martin Curda completed his Ph.D. studies at Cardiff University, School of Music in 2017. He is currently employed as a lecturer in musicology at the Faculty of Fine Arts and Music of the University of Ostrava (Czech Republic), teaching courses related to music analysis and semiotics, music history since 1900, and performance practice. His research into the music of Pavel Haas has so far led to the publication of several journal articles and book chapters, as well as to the organisation of the first international academic conference focusing specifically on this composer (Pavel Haas Study Day, 2016). His research combines musical-analytical methods with hermeneutic enquiry rooted in semiotics, cultural critique, and discourse analysis, revealing the interaction of music, culture and politics.
