1st Edition
The Networked Image in Post-Digital Culture
Introduction
Andrew Dewdney and Katrina Sluis
Part One: The condition of the networked image
1. The politics of the networked image: representation and reproduction
Andrew Dewdney
2. The networked image after Web 2.0: Flickr and the ‘real-world’ photography of the dataset
Katrina Sluis
3. Post-capitalist photography
Ben Burbridge
Part Two: Computation, software, learning
4. The computer vision lab: the epistemic configuration of machine vision
Nicolas Malevé
5. Ways of machine seeing as a problem of invisual literacy
Geoff Cox
6, Soft subjects: hybrid labour in media software
Alan Warburton
Part Three: Curating the networked image
7. The paradoxes of curating the networked image: aesthetic currents, flows and flaws
Gaia Tedone
8. Internet liveness and the art museum
Ioanna Zouli
9. Screenshot Situations: imaginary realities of networked images
Magda Tyżlik-Carver
Part Four: Digitisation and the reconfiguration of the archive
10. Networks of care
Annet Dekker
11. Beyond the screenshot: interface design and data protocols in the net art archive
Lozana Rossenova
Biography
Andrew Dewdney is Co-director and Co-founder of the Centre for the Study of the Networked Image, and Professor of Educational Media at London South Bank University. He has written and lectured widely on new media and museology. His most recent book Forget Photography was published in 2021.
Katrina Sluis is Associate Professor and Head of Photography & Media Arts at the School of Art & Design, Australian National University. She is a founding Co-director of the Centre for the Study of the Networked Image and was previously Senior Curator (Digital Programmes) at The Photographers’ Gallery, London.






