Exclusive web offer for individuals. Print titles only. Terms & Conditions may apply.
Routledge
122 pages
This collection of essays attempts to analyse common assumptions about art, literature and criticism at the time of publication in 1895. Taking the position of ‘a Philistine’ , Spender argues against the ‘new’ art and fiction and encourages the average member of the public to state their opinion and give validation that the average view is just as worthy as the ‘new’ criticism which tended toward superiority. This title will be of interest to students of Literature, Art and Art History.
1. Introduction 2. The New Art Criticism 3. The New Literary Criticism 4. The New Fiction; Various Views, Comments and Replies
Are there elusive titles that you need and have been trying to source for years but thought that you would never be able to find?
Well this may be the end of your quest – here is a fantastic opportunity for you to discover past brilliance and purchase previously out of print and unavailable titles by some of the world’s most eminent academic scholars.
Drawing from over 100 years of innovative, cutting-edge publishing, Routledge Revivals is an exciting programme whereby key titles from the distinguished and extensive backlist of the many acclaimed imprints associated with Routledge will be re-issued.
The programme draws upon the illustrious backlists of Kegan Paul, Trench & Trubner, Routledge & Kegan Paul, Methuen, Allen & Unwin and Routledge itself.
Routledge Revivals spans the whole of the Humanities and Social Sciences, and includes works by some of the world’s greatest thinkers including Emile Durkheim, Max Weber, Simone Weil, Martin Buber, Karl Jaspers and Max Beloff.
If you are interested in Revivals in the Behavioral Sciences, please visit https://www.routledge.com/series/PSYREVIVALS
