Introduction
Part I: Origins
Chapter 1 Exploring the Ordinary of the Roman Rite
Chapter 2 Differing Opinions about Music within the Church
Chapter 3 Musical Formulations: From Plainchant to Concert Mass
Chapter 4 Haydn’s Harmoniemesse (1802): An Early Concert Mass
Part II: Becoming
Chapter 5 The Concertisation of the Mass
Chapter 6 Secularisation and Cultural Change: From Court and Church to Choral Societies and Choice
Chapter 7 Nineteenth-century Concert Masses
Part III: Division
Chapter 8 Banished from the Eucharist: Cecilians, Plainsong Restoration, the Motu Propio, and Vatican II
Chapter 9 Daniel Lentz’s Missa Umbrarum (1973)
Part IV: Divided
Chapter 10 Masses for concert halls 1903–1963
Chapter 11 Missa Carminum (Folk Song Mass)
Part V: Ascendance
Chapter 12 Conclusions and Future Directions
Biography
Stephanie Rocke is a Research Associate at the University of Melbourne with an ongoing interest in religious and cultural diversity as it is manifested in musical forms and musical activities across time.
