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The Phenomenology of Real and Virtual Places book cover

1st Edition

The Phenomenology of Real and Virtual Places

Edited By Erik Malcolm Champion Copyright 2019
262 Pages 6 B/W Illustrations
by Routledge

262 Pages 6 B/W Illustrations
by Routledge

262 Pages 6 B/W Illustrations
by Routledge
Also available as eBook on:
This collection of essays explores the history, implications, and usefulness of phenomenology for the study of real and virtual places. While the influence of phenomenology on architecture and urban design has been widely acknowledged, its effect on the design of virtual places and environments has yet to be exposed to critical reflection. These essays from philosophers, cultural geographers,... Read more

Foreword



Jeff Malpas





Introduction



Erik Champion



1. The Inconspicuous Familiarity of Landscape



Ted Relph



2. Landscape Archaeology in Skyrim VR



Andrew Reinhard



3. The Efficacy of Phenomenology for Investigating Place with Locative Media



Leighton Evans



4. Postphenomenology and "Places"



Don Ihde



5. Virtual Place and Virtualized Place



Bruce Janz



6. Transactions in virtual places: Sharing and excess in blockchain worlds



Richard Coyne



7. The Kyoto School Philosophy on Place: Nishida and Ueda-John



W.M. Krummel



8. Phenomenology of Place and Space in our Epoch: Thinking along Heideggerian Pathways



Nader El-Bizri



9. Norberg-Schulz: Culture, Presence and a Sense of Virtual Place



Erik Champion



10. Heidegger’s Building Dwelling Thinking in terms of Minecraft



Tobias Holischka



11. CĂ©zanne, Merleau-Ponty, and Questions for Augmented Reality



Patricia Locke



12. The Place of Others: Merleau-Ponty and the Interpersonal Origins of Adult Experience



Susan Bredlau



13. "The Place was not a Place": A Critical Phenomenology of Forced Displacement



Neil Vallelly



14. Virtual Dark Tourism in The Town of Light



Florence Smith Nicholls

Biography

Erik Champion is Professor of Cultural Visualisation in the School of Media Culture and Creative Arts at Curtin University, Australia. He is the author of Critical Gaming: Interactive History and Visual Heritage (2015) and Playing with the Past (2011).

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