1st Edition

The Poems of Lord Byron - Don Juan Volumes IV & V

1278 Pages 21 B/W Illustrations
by Routledge

1278 Pages 21 B/W Illustrations
by Routledge

Byron’s Don Juan is one of the greatest poems in the English language. Byron’s friends initially agreed that ‘it will be impossible to publish this’. Byron prevailed, however, and the first two cantos were issued anonymously after much editorial revision. Even in its revised form, Don Juan was perceived as a radical attack on establishment values; the poem has remained a beacon for freedom of... Read more
Volume IV

A Note From the General Editors

Editorial Preface and Editorial Principles

Acknowledgments

Note on Illustrations

List of Figures

Chronological Table of Byron's Life and Publications

Abbreviations

Don Juan

Draft Preface

Dedication

Cantos I-II

Appendix Brougham Stanzas, note and note on Hazlitt

Cantos III-V

Preface to Cantos VI-VIII

Canto VI

 Volume V

List of Figures

Abbreviations

Cantos VII-VIII

Cantos IX-XI

Cantos XII-XIV

Cantos XV-XVI

Canto XVII

Biography

Jane Stabler teaches at the School of English, University of St Andrews, Scotland. Her books include Byron, Poetics and History (CUP 2002), The Artistry of Exile: Romantic & Victorian Writers in Italy (OUP 2013), the Longman Byron Critical Reader and the Palgrave Byron Advances volume.

Gavin Hopps is Director of ITIA and Senior Lecturer in Literature and Theology at the University of St Andrews. His publications include The Extravagance of Music (with David Brown; 2018).

‘It is not every day that book-reviewing revives one’s hopes of life after death, but this edition of Byron’s masterpiece is a case in point. . . . [Jane Stabler’s achievement in the scholarly annotations] is prodigious in its own right. . . . Finally, for Byronists: the editors’ achievement here should encourage a scholar somewhere to write that genuinely literary-critical account of Byron’s masterpiece we lack. Cultural-materialist approaches can help us see what we are reading in Don Juan; only literary criticism can tell us why we should read it.’ - Richard Lansdown, The Wordsworth Circle, volume 56, number 3, summer 2025.