1st Edition
The Poetics and Ethics of Attention in Contemporary British Narrative
Acknowledgements
Introduction
- The Attention Economy
- A Relatively Recent Category
- An Ethical Apparatus
- Attention to the Ordinary
- Turning towards Literature
Chapter 1: Social Invisibilities
- Refugee Tales
- Showing
- Ghosting
- Caring
- Raging
- Exploring the Closet
- Visibilities
- Shifting Perceptions
- Ending with a Whimper
- Wandering with Intent
- Investigating the Ordinary
- What Matters
Chapter 2: Embedded Visibilities
- Seeing the Land
- Observing What Is Lost
- The Anti-Pastoral
- Relationalities
- Inventorying
- On the Same Spectrum
- Collecting the Mundane
- Perceptual Realism
- Consideration(s)
- Discordant Scales
- Echoes and Portents
- Acknowledging the Anthropocene
- Inescapable Entanglements
Chapter 3: Of (Wo)men and Machines
- The Time Will Come…
- A Time Out of Joint
- Machines That Mimic Minds?
- Quandaries
- Beyond Exceptionalism?
- Artificial Perception
1. An Unwonted Focus
2. AI Vulnerability
3. Machine Vigilance
Chapter 4: Disabled Brains
- Linguistic Impairment
- Varying Attentional Tides
- Perceptual Immediacy
- An "Ethics from Down Under"
- Autobiography and Cognitive Disability
- Doubles
- Oscillations
- Relationality über alles
Conclusion
References
Index
Biography
Jean-Michel Ganteau is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France) and a member of the Academia Europaea. He is the editor of the journal Études britanniques contemporaines. He is the author of four monographs: David Lodge: le choix de l’éloquence (2001), Peter Ackroyd et la musique du passé (2008) and The Ethics and Aesthetics of Vulnerability in Contemporary British Literature (2015), The Aesthetics and Ethics of Attention in Contemporary British Narrative (Routledge 2023). He has published extensively on contemporary British fiction, with a special interest in the ethics of affects trauma criticism and theory, and the ethics of vulnerability, in France and abroad (other European countries, the United States), in the form of chapters in edited volumes or articles in such journals as Miscelánea, Anglia, Symbolism, The Cambridge Quarterly, and so on.






