The Politics of Obscenity in the Age of the Gutenberg Revolution : Obscene Means in Early Modern French and European Print Culture and Literature book cover
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The Politics of Obscenity in the Age of the Gutenberg Revolution
Obscene Means in Early Modern French and European Print Culture and Literature



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ISBN 9780367537357
December 31, 2021 Forthcoming by Routledge
408 Pages 7 B/W Illustrations

 
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Book Description

What does obscene mean? What does it have to say about the means through which meaning is produced and received in literary, artistic and, more broadly, social acts of representation and interaction? Early modern France and Europe faced these questions not only in regard to the political, religious and artistic reformations for which the Renaissance stands, but also in light of the reconfiguration of its mediasphere in the wake of the invention of the printing press. The Politics of Obscenity brings together researchers from Europe and the United States in offering scholars of early modern Europe a detailed understanding of the implications and the impact of obscene representations in their relationship to the Gutenberg Revolution which came to define Western modernity.

Table of Contents

Introduction: The Obscenity of Books: The Politics of the Obscene in Early Modern Print Culture

Peter Frei and Nelly Labère

Part 1: Obscene Means: What It Means to Be Obscene

Obscene Materials in Manuscript Culture and Early Prints

1. The Politics of Obscenity in Les Monstres des hommes, a Thirteenth-Century Manuscript

Pierre Olivier Dittmar and Maud Pérez-Simon

2. The "Hermaphrodite" of Modena: The Confusion That Made Her Disonesta (Twelfth to Sixteenth Centuries)

Chloé Clovis Maillet

3. X-Rated Letters: When the ABC Turns You On

Marion Uhlig

4. Courtly Obscenities Between the Middle Ages and the Renaissance: From the "Forest de Longue Attente" to the Rondeaux and Ballads of the "Gaudisseur Amant" in La Chasse et le Départ d’Amours (Paris, Vérard, 1509)

Jean-Claude Mühlethaler

5. Even in Latin… Deterritorializations of the Obscene

Jelle Koopmans

Shifting Obscenities, from Manuscript to Print

6. To Be or Not to Be Part of the Cent Nouvelles Nouvelles: Representing the Obscene in Manuscript and Print

Nelly Labère

7. Villon’s Imprint: Obscenity and Vulgarity in the Early Age of Print

Peter Frei

Part 2: Obscene Expositions: Obscenity and Renaissance Print Culture

Impressions of the Body: The Genres of Renaissance Obscenity

8. From Panurge to Pan: Rabelais’s Fictions of Undiplomatic Diplomacy and the Ambassador’s Pleasure

Antónia Szabari

9. Sentimental Obscenity

Véronique Duché

10. Les Blasons anatomiques du corps feminin and the Fabrication of Nudity

Julien Goeury

Appendix to Chapter 10: An Unpublished Counter-Blazon "by a Young Woman"

Guillaume Berthon

The Religious Ob-Scene: Towards a Politics of Obscenity

11. Performing Protestant Identity Through Obscene Poetry: The Grenet Manuscript in the Age of the Printing Press

Estelle Doudet

12. Pathways to the Obscene in Calvin and Calvinism

Georges Van Den Abbeele

13. Obscenity on the Stage: A Double-Edged Sword

François Lecercle

Part 3: Impressions and Reimpressions of an Obscene Modernity

The Language in Question or the Trouble with Words

14. "Libertinage de langue" and Gender Legislation: The Indecent Mobility of Signs

Gilles Magniont

15. The Obscene, the Word, the Thing: Methodological Questions

Jean-Christophe Abramovici

Afterlives: On the History of Obscene Books

16. Publishing Obscene Parodies. From Authorized Joyful Books to Forbidden Editions

Katell Lavéant

17. Between the Early Modern and the Modern: The Resonance of Aretino

Russell Ganim

Epilogue: The Obscene Remains of the Past

Peter Frei and Nelly Labère

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Editor(s)

Biography

Peter Frei teaches French and Comparative Literature at the University of Fribourg (Switzerland).

Nelly Labère is Associate Professor (Maître de conferences HDR) at the University of Bordeaux Montaigne (France).