1st Edition
The Politics of Obscenity in the Age of the Gutenberg Revolution Obscene Means in Early Modern French and European Print Culture and Literature
What does obscene mean? What does it have to say about the means through which meaning is produced and received in literary, artistic and, more broadly, social acts of representation and interaction? Early modern France and Europe faced these questions not only in regard to the political, religious and artistic reformations for which the Renaissance stands, but also in light of the reconfiguration of its mediasphere in the wake of the invention of the printing press. The Politics of Obscenity brings together researchers from Europe and the United States in offering scholars of early modern Europe a detailed understanding of the implications and the impact of obscene representations in their relationship to the Gutenberg Revolution which came to define Western modernity.
Introduction: The Obscenity of Books: The Politics of the Obscene in Early Modern Print Culture
Peter Frei and Nelly Labère
Part 1: Obscene Means: What It Means to Be Obscene
Obscene Materials in Manuscript Culture and Early Prints
1. The Politics of Obscenity in Les Monstres des hommes, a Thirteenth-Century Manuscript
Pierre Olivier Dittmar and Maud Pérez-Simon
2. The "Hermaphrodite" of Modena: The Confusion That Made Her Disonesta (Twelfth to Sixteenth Centuries)
Chloé Clovis Maillet
3. X-Rated Letters: When the ABC Turns You On
Marion Uhlig
4. Courtly Obscenities Between the Middle Ages and the Renaissance: From the "Forest de Longue Attente" to the Rondeaux and Ballads of the "Gaudisseur Amant" in La Chasse et le Départ d’Amours (Paris, Vérard, 1509)
Jean-Claude Mühlethaler
5. Even in Latin… Deterritorializations of the Obscene
Jelle Koopmans
Shifting Obscenities, from Manuscript to Print
6. To Be or Not to Be Part of the Cent Nouvelles Nouvelles: Representing the Obscene in Manuscript and Print
Nelly Labère
7. Villon’s Imprint: Obscenity and Vulgarity in the Early Age of Print
Peter Frei
Part 2: Obscene Expositions: Obscenity and Renaissance Print Culture
Impressions of the Body: The Genres of Renaissance Obscenity
8. From Panurge to Pan: Rabelais’s Fictions of Undiplomatic Diplomacy and the Ambassador’s Pleasure
Antónia Szabari
9. Sentimental Obscenity
Véronique Duché
10. Les Blasons anatomiques du corps feminin and the Fabrication of Nudity
Julien Goeury
Appendix to Chapter 10: An Unpublished Counter-Blazon "by a Young Woman"
Guillaume Berthon
The Religious Ob-Scene: Towards a Politics of Obscenity
11. Performing Protestant Identity Through Obscene Poetry: The Grenet Manuscript in the Age of the Printing Press
Estelle Doudet
12. Pathways to the Obscene in Calvin and Calvinism
Georges Van Den Abbeele
13. Obscenity on the Stage: A Double-Edged Sword
François Lecercle
Part 3: Impressions and Reimpressions of an Obscene Modernity
The Language in Question or the Trouble with Words
14. "Libertinage de langue" and Gender Legislation: The Indecent Mobility of Signs
Gilles Magniont
15. The Obscene, the Word, the Thing: Methodological Questions
Jean-Christophe Abramovici
Afterlives: On the History of Obscene Books
16. Publishing Obscene Parodies. From Authorized Joyful Books to Forbidden Editions
Katell Lavéant
17. Between the Early Modern and the Modern: The Resonance of Aretino
Russell Ganim
Epilogue: The Obscene Remains of the Past
Peter Frei and Nelly Labère
Biography
Peter Frei teaches French and Comparative Literature at the University of Fribourg (Switzerland).
Nelly Labère is Associate Professor (Maître de conférences HDR) at the University of Bordeaux Montaigne (France).
